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This study argues that folk art entered the modern discourse on Chinese visual arts as an object of both pride and shame and describes how ideas about folk art were articulated in the pivotal period of the 1930s and 1940s.

Produktbeschreibung
This study argues that folk art entered the modern discourse on Chinese visual arts as an object of both pride and shame and describes how ideas about folk art were articulated in the pivotal period of the 1930s and 1940s.
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Autorenporträt
Felicity Lufkin is lecturer in folklore and mythology at Harvard University.