Geography's engagements with the visual arts have undergone a rapid expansion. Drawing on close to a decade of research in this field, Hawkins explores the challenges and potentials of these new terrains of geography-art relations, including the ways in which twentieth century artistic practices expanded previous understandings of the mediums, materialities and sites that constituted the production and consumption of art, and the ways in which this expanded field has seen creative practitioners and theorists embrace geographical discourses and practices.
Geography's engagements with the visual arts have undergone a rapid expansion. Drawing on close to a decade of research in this field, Hawkins explores the challenges and potentials of these new terrains of geography-art relations, including the ways in which twentieth century artistic practices expanded previous understandings of the mediums, materialities and sites that constituted the production and consumption of art, and the ways in which this expanded field has seen creative practitioners and theorists embrace geographical discourses and practices.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Harriet Hawkins is a Lecturer in Geography at Royal Holloway, University of London.
Inhaltsangabe
Introduction: For Creative Geographies. Section One: Art and the Making/Transforming of Geography 1. Placing Art at the Royal Geographical Society: Creative Compass, Exhibition Imaginaries, and Cartographic Critiques 2. Connecting with Gertrude: Woven Threads and Written Traces: Crafting Disciplinary Histories Section Two: A Geographical Turn? Placing Production: Producing Sites 3. Producing Sites: Michael Landy's Break Down 4. Framing the World: Portraits of Place, Richard Wentworth's Urban Imaginary 5. Insites: On Residency and Collaboration Section Three: Remapping Bodies: Substances, Senses, Spaces and Encounters 6. The Argument of the Eye: Installation Art and the "Experience of Experience" 7. Points of Contact: The Geographies of Ana Mendieta's Earth-Body Works. By Way of Conclusion: Towards an Analytic Framework.
Introduction: For Creative Geographies. Section One: Art and the Making/Transforming of Geography 1. Placing Art at the Royal Geographical Society: Creative Compass, Exhibition Imaginaries, and Cartographic Critiques 2. Connecting with Gertrude: Woven Threads and Written Traces: Crafting Disciplinary Histories Section Two: A Geographical Turn? Placing Production: Producing Sites 3. Producing Sites: Michael Landy's Break Down 4. Framing the World: Portraits of Place, Richard Wentworth's Urban Imaginary 5. Insites: On Residency and Collaboration Section Three: Remapping Bodies: Substances, Senses, Spaces and Encounters 6. The Argument of the Eye: Installation Art and the "Experience of Experience" 7. Points of Contact: The Geographies of Ana Mendieta's Earth-Body Works. By Way of Conclusion: Towards an Analytic Framework.
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