Harriet Hawkins (Royal Holloway, University of London, UK)

For Creative Geographies

Geography, Visual Arts and the Making of Worlds

• Broschiertes Buch

Produktbeschreibung

This book provides the first sustained critical exploration, and celebration, of the relationship between Geography and the contemporary Visual Arts. With the growth of research in the Geohumanities and the Spatial Humanities, there is an imperative to extend and deepen considerations of the form and import of geography-art relations. Such reflections are increasingly important as geography-art intersections come to encompass not only relationships built through interpretation, but also those built through shared practices, wherein geographers work as and with artists, curators and other creative practitioners. For Creative Geographies features seven diverse case studies of artists' works and exhibitions made towards the end of the twentieth and the beginning of the twentieth-first century. Organized into three analytic sections, the volume explores the role of art in the making of geographical knowledge; the growth of geographical perspectives as art world analytics; and shared explorations of the territory of the body, In doing so, Hawkins proposes an analytic framework for exploring questions of the geographical "work" art does, the value of geographical analytics in exploring the production and consumption of art, and the different forms of encounter that artworks develop, whether this be with their audiences, or their makers.

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Produktdetails

• Routledge Advances in Geography
• Verlag: Taylor & Francis Ltd
• Seitenzahl: 324
• Erscheinungstermin: 16. September 2015
• Englisch
• Abmessung: 229mm x 152mm x 18mm
• Gewicht: 476g
• ISBN-13: 9781138952928
• ISBN-10: 1138952923
• Artikelnr.: 42906606

Autorenporträt

Harriet Hawkins is a Lecturer in Geography at Royal Holloway, University of London.

Inhaltsangabe

Introduction: For Creative Geographies. Section One: Art and the
Making/Transforming of Geography 1. Placing Art at the Royal Geographical
Society: Creative Compass, Exhibition Imaginaries, and Cartographic
Critiques 2. Connecting with Gertrude: Woven Threads and Written Traces:
Crafting Disciplinary Histories Section Two: A Geographical Turn? Placing
Production: Producing Sites 3. Producing Sites: Michael Landy's Break Down
4. Framing the World: Portraits of Place, Richard Wentworth's Urban
Imaginary 5. Insites: On Residency and Collaboration Section Three:
Remapping Bodies: Substances, Senses, Spaces and Encounters 6. The Argument
of the Eye: Installation Art and the "Experience of Experience" 7. Points
of Contact: The Geographies of Ana Mendieta's Earth-Body Works. By Way of
Conclusion: Towards an Analytic Framework.