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FOR LACK of DIAMOND YEARS is an idiosyncratic collection of short poems - most under 20 lines - where questions lead the way. The poems are a mixed set of free verse, unabashed counting forms like the Hay(na)ku and the Elfchen, and a very minimalist version of John Cage's mesostic form, along with a small number of poems based on colors, and a few that steal freely from traditional American songs. But at its heart, For Lack of Diamond Years is a quixotic narration between realms of being - from the quotidian into the sometimes numinous, sometimes murky realm of the unknown/unknown, and on into…mehr

Produktbeschreibung
FOR LACK of DIAMOND YEARS is an idiosyncratic collection of short poems - most under 20 lines - where questions lead the way. The poems are a mixed set of free verse, unabashed counting forms like the Hay(na)ku and the Elfchen, and a very minimalist version of John Cage's mesostic form, along with a small number of poems based on colors, and a few that steal freely from traditional American songs. But at its heart, For Lack of Diamond Years is a quixotic narration between realms of being - from the quotidian into the sometimes numinous, sometimes murky realm of the unknown/unknown, and on into a kind of revamped transcendental. There is a thread of praise that runs throughout - an embrace of the joys and sorrows of thinking and feeling, of love and loss.
Autorenporträt
CAROLINE BEASLEY-BAKER is a poet and visual artist who learned to recite her first poem, a traditional Scottish song, when she was 18-months old sitting on a barstool next to a gorgeous gloved and hatted woman in a family bar in downtown Kansas City, MO . . . "I am a poor little orphan, my mommy is dead, my daddy's a drunkard . . ."Her poems have recently appeared online and in print in Qarrtsiluni, MungBeing Magazine, MOBIUS /The Poetry Magazine, The MOM Egg, La Fovea and volumes 5, 6, 7 of the Brevitas Festival Review of the Short Poem. Meritage Press published two chain poems done with writer/poet Holly Anderson and singer/songwriter Lisa B. Burns in The Chained Hay(na)Ku Project anthology, 2010.She frequently uses words/poems in her visual work for which she has received a New York Foundation for the Arts Fellowship in painting and a National Endowment for the Arts in Collaborative Work.