Searing verses set on the Mexican border about war and addiction, love and sexual violence, grief and loss, from an American Book Award-winning author. Selected by Gregory Pardlo as winner of the National Poetry Series. El Paso is one of the safest cities in the United States, while across the river, Ciudad Juárez suffers a history of femicides and a horrific drug war. Witnessing this, a Filipina's life unravels as she tries to love an addict, the murders growing just a city-but the breadth of a country-away. This collection weaves the personal with recent history, the domestic with the…mehr
Searing verses set on the Mexican border about war and addiction, love and sexual violence, grief and loss, from an American Book Award-winning author. Selected by Gregory Pardlo as winner of the National Poetry Series. El Paso is one of the safest cities in the United States, while across the river, Ciudad Juárez suffers a history of femicides and a horrific drug war. Witnessing this, a Filipina's life unravels as she tries to love an addict, the murders growing just a city-but the breadth of a country-away. This collection weaves the personal with recent history, the domestic with the tragic, asking how much "a body will hold," reaching from the border to the poet's own Philippines. These poems thirst in the desert, want for water, searching the brutal and tender territories between bodies, families, and nations.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Foreword by Gregory Pardlo I If I Die in Juárez 13 Ways of Knowing Her Our First Year My Father’s Family Fasts the Slaughter to Feast the Arrival of His Bride The Kiss Late September, When the Heat Releases Meditations on Living in the Desert Admit Impediments. Love Is Not Love Continental Split At a Party II Panic Gedankenexperiments A Loaf of Bread After Dinner The Eyes Open to a Cry In Their Dark Habits Kastanyas How to Care for a Man, Withdrawing In Step Because “Some Women Are Displaced Women’s Blues You Say You Can’t Sleep Thai Massage Bodies, and Other Natural Disasters For Want of Water III Rose is a Rose is a Rose is a Rose Autopsy: How we come to smoke: High, high, high: Autopsy, Juárez: Tale, two cities: High and low: Crack rock, a hard place: Autopsy, us: Drug war: How we love to score / (buying glass pipes at the barrio store): IV Sea Change At the Symphony: 7 Things I Wish I’d Told You [ Rules for Behaving on an Airplane ] & Simultaneous Monologue on Your Separate Grief Last Photograph of My Mother Laughing When in Solitude, the Surprise of Morning Leaving the University Gym Tuesday Night in Montparnasse Moment in Storm Marking. Connecting: Between Going and Stopping,— Old Beds and Hollywood School Terrorist Exercise, 2005 V What Is Broken Before Dawn We’re Really Not Okay Golden Shovel: at the Lake’s Shore, I Sit with His Sister, Resting Grave, ma non troppo tratto Safely Watching a Solar Eclipse with Kuya Orison While My Lover Rests Touched By Dusk, We Know Better Ourselves Lines I’ve Stolen, and Other Notes Credits and Acknowledgments
Foreword by Gregory Pardlo I If I Die in Juárez 13 Ways of Knowing Her Our First Year My Father’s Family Fasts the Slaughter to Feast the Arrival of His Bride The Kiss Late September, When the Heat Releases Meditations on Living in the Desert Admit Impediments. Love Is Not Love Continental Split At a Party II Panic Gedankenexperiments A Loaf of Bread After Dinner The Eyes Open to a Cry In Their Dark Habits Kastanyas How to Care for a Man, Withdrawing In Step Because “Some Women Are Displaced Women’s Blues You Say You Can’t Sleep Thai Massage Bodies, and Other Natural Disasters For Want of Water III Rose is a Rose is a Rose is a Rose Autopsy: How we come to smoke: High, high, high: Autopsy, Juárez: Tale, two cities: High and low: Crack rock, a hard place: Autopsy, us: Drug war: How we love to score / (buying glass pipes at the barrio store): IV Sea Change At the Symphony: 7 Things I Wish I’d Told You [ Rules for Behaving on an Airplane ] & Simultaneous Monologue on Your Separate Grief Last Photograph of My Mother Laughing When in Solitude, the Surprise of Morning Leaving the University Gym Tuesday Night in Montparnasse Moment in Storm Marking. Connecting: Between Going and Stopping,— Old Beds and Hollywood School Terrorist Exercise, 2005 V What Is Broken Before Dawn We’re Really Not Okay Golden Shovel: at the Lake’s Shore, I Sit with His Sister, Resting Grave, ma non troppo tratto Safely Watching a Solar Eclipse with Kuya Orison While My Lover Rests Touched By Dusk, We Know Better Ourselves Lines I’ve Stolen, and Other Notes Credits and Acknowledgments
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497