First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction Chapter 1 Urban Flights: The Institute of Social Research between Frankfurt and New York Chapter 2 The Debate over Performative Contradiction: Habermas versus the Poststructuralists Chapter 3 The Morals of Genealogy: Or Is There a Poststructuralist Ethics? Chapter 4 The Reassertion of Sovereignty in a Time of Crisis: Carl Schmitt and Georges Bataille Chapter 5 Women in Dark Times: Agnes Heller and Hannah Arendt Chapter 6 "The Aesthetic Ideology" as Ideology: Or What Does It Mean to Aestheticize Politics? Chapter 7 The Apocalyptic Imagination and the Inability to Mourn Chapter 8 The Rise of Hermeneutics and the Crisis of Ocularcentrism Chapter 9 Scopic Regimes of Modernity Chapter 10 Ideology and Ocularcentrism: Is There Anything Behind the Mirror's Tain? Chapter 11 Modernism and the Retreat from Form Chapter 12 The Textual Approach to Intellectual History Chapter 13 Name-Dropping or Dropping Names? Modes of Legitimation in the Humanities
Introduction Chapter 1 Urban Flights: The Institute of Social Research between Frankfurt and New York Chapter 2 The Debate over Performative Contradiction: Habermas versus the Poststructuralists Chapter 3 The Morals of Genealogy: Or Is There a Poststructuralist Ethics? Chapter 4 The Reassertion of Sovereignty in a Time of Crisis: Carl Schmitt and Georges Bataille Chapter 5 Women in Dark Times: Agnes Heller and Hannah Arendt Chapter 6 "The Aesthetic Ideology" as Ideology: Or What Does It Mean to Aestheticize Politics? Chapter 7 The Apocalyptic Imagination and the Inability to Mourn Chapter 8 The Rise of Hermeneutics and the Crisis of Ocularcentrism Chapter 9 Scopic Regimes of Modernity Chapter 10 Ideology and Ocularcentrism: Is There Anything Behind the Mirror's Tain? Chapter 11 Modernism and the Retreat from Form Chapter 12 The Textual Approach to Intellectual History Chapter 13 Name-Dropping or Dropping Names? Modes of Legitimation in the Humanities
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