Foreign Modernism investigates this tense and transitional moment for both modernism and European multiculturalism by looking at the role of foreigners in Paris’s artistic scene.
Foreign Modernism investigates this tense and transitional moment for both modernism and European multiculturalism by looking at the role of foreigners in Paris’s artistic scene.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ihor Junyk is an associate professor in the Department of Cultural Studies at Trent University.
Inhaltsangabe
List of Illustrations Acknowledgments Introduction 1 Traveling Culture: Rilke, Rodin, and the Poetics of Displacement 2 Becoming Minor: Archipenko, Bergson, and Deterritorialization 3 The Aeneid of Modern Times: Hybridity and Cosmopolitanism in Parade 4 A Call to Order: Nostalgia and the Vicissitudes of Cosmopolitan Identity in Igor Stravinsky 5 The Face of the Nation: State Fetishism and Métissage at the Exposition Internationale, Paris 1937 Epilogue – The Battle of the Tuileries: Cosmopolitanism and Cultural Memory in France Bibliography Index
List of Illustrations Acknowledgments Introduction 1 Traveling Culture: Rilke, Rodin, and the Poetics of Displacement 2 Becoming Minor: Archipenko, Bergson, and Deterritorialization 3 The Aeneid of Modern Times: Hybridity and Cosmopolitanism in Parade 4 A Call to Order: Nostalgia and the Vicissitudes of Cosmopolitan Identity in Igor Stravinsky 5 The Face of the Nation: State Fetishism and Métissage at the Exposition Internationale, Paris 1937 Epilogue – The Battle of the Tuileries: Cosmopolitanism and Cultural Memory in France Bibliography Index
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