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London operatic adaptations have been maligned, but this comprehensive study demonstrates their importance to theatre, opera and canon formation.

Produktbeschreibung
London operatic adaptations have been maligned, but this comprehensive study demonstrates their importance to theatre, opera and canon formation.
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Autorenporträt
Christina Fuhrmann is a Professor in the Department of Music at Ashland University, Ohio. Her publications include articles in Nineteenth-Century Music Review and Gender, Sexuality and Early Music and a volume on Romanticism and Opera. Her critical edition of Henry Bishop's adaptation of The Marriage of Figaro was published in 2012.