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Dentro de la tradición de fotógrafos como Tina Modotti, Edward Weston o Cartier-Bresson quienes viajaron a México durante el siglo XX, Antoine D'Agata ha conformado el espeluznante material con el que construye un diario tenso e inmóvil. Instantáneas, relatos cinematográficos y textos configuran un diario personal que a través de encuentros íntimos, sexuales o narcóticos retratan el mundo de soledad y marginalidad que Antoine D'Agata va recorriendo.
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