In this current work, Foretastes of Heavenly Music: Johann Mattheson and Christoph Raupach on Music in Time and Eternity, Irwin provides translations and commentary for two eighteenth-century texts that illuminate the musico-theological foundation underlying the work of Lutheran composers such as Bach and Telemann.
In this current work, Foretastes of Heavenly Music: Johann Mattheson and Christoph Raupach on Music in Time and Eternity, Irwin provides translations and commentary for two eighteenth-century texts that illuminate the musico-theological foundation underlying the work of Lutheran composers such as Bach and Telemann.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Joyce Irwin is a church historian, organist and choir director living in Princeton, New Jersey. She holds a doctorate in religious studies from Yale University and has taught at the University of Georgia and at Colgate University. Her previous publications include Neither Voice nor Heart Alone: Lutheran Theology of Music in the Age of the Baroque and Sacred Sound: Music in Religious Thought and Practice as well as studies in the area of women's religious history.
Inhaltsangabe
List of Figures Series Editor's Foreword Preface Abbreviations Introduction Part I:Christoph Raupach, Deutliche Beweis-Gründe, 1717 Edited by Johann Mattheson Preface by Johann Mattheson Chapter 1: Concerning the Commands of God that Deal with Church Music, Vocal as well as Instrumental Chapter 2: Of the Examples of Jews and Christians Chapter 3: Concerning the Powerful Usefulness of the Whole of Church Music and also Concerning its Necessity Chapter 4:Concerning the Powerful Usefulness of Music in Alleviating and Sweetening other Daily Affairs Chapter 5: Of the Various Powerful Effects of Music on the Hearts and Minds of People. Chapter 6: Of the Use of Music in Bodily Illness Chapter 7: Of the Use of Church Music Additional Comments Part I Notes Part II: Johann Mattheson, Behauptung der himmlischen Musik, 1747 Introductory Remarks Section 1: Investigation of Heavenly Music According to Purified Reason Section 2: Investigation of Heavenly Music According to Doctrines of the Church and its Teachers Section 3: Investigation of Heavenly Music According to Holy Scripture Itself Part II Notes: Appendix: Index About the Author
List of Figures Series Editor's Foreword Preface Abbreviations Introduction Part I:Christoph Raupach, Deutliche Beweis-Gründe, 1717 Edited by Johann Mattheson Preface by Johann Mattheson Chapter 1: Concerning the Commands of God that Deal with Church Music, Vocal as well as Instrumental Chapter 2: Of the Examples of Jews and Christians Chapter 3: Concerning the Powerful Usefulness of the Whole of Church Music and also Concerning its Necessity Chapter 4:Concerning the Powerful Usefulness of Music in Alleviating and Sweetening other Daily Affairs Chapter 5: Of the Various Powerful Effects of Music on the Hearts and Minds of People. Chapter 6: Of the Use of Music in Bodily Illness Chapter 7: Of the Use of Church Music Additional Comments Part I Notes Part II: Johann Mattheson, Behauptung der himmlischen Musik, 1747 Introductory Remarks Section 1: Investigation of Heavenly Music According to Purified Reason Section 2: Investigation of Heavenly Music According to Doctrines of the Church and its Teachers Section 3: Investigation of Heavenly Music According to Holy Scripture Itself Part II Notes: Appendix: Index About the Author
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