This study explores Victorian poetry in relation to Victorian religion, with particular emphasis on the bitter contemporary debates over the use of forms in worship. It discusses major Victorian poets - Tennyson, the Brownings, Rossetti, Hopkins, Hardy - and also argues that their work was influenced by a host of minor and less studied writers.
This study explores Victorian poetry in relation to Victorian religion, with particular emphasis on the bitter contemporary debates over the use of forms in worship. It discusses major Victorian poets - Tennyson, the Brownings, Rossetti, Hopkins, Hardy - and also argues that their work was influenced by a host of minor and less studied writers.
Kirstie Blair is a lecturer at the University of Glasgow. Her primary research interests lie in Victorian literature, particularly poetry and poetic form, working-class poetry and poetics, literature and religion, and literature and medicine. She has published on Tennyson, George Eliot, Vita Sackville-West, and Virginia Woolf, among others. She has edited a collection of essays on John Keble (John Keble in Context (Anthem, 2004)) and has contributed to The Oxford Handbook of English Literature and Theology and the Blackwell Companion to Literature and the Bible. Her first monograph, Victorian Poetry and the Culture of the Heart, appeared in 2006 from OUP.
Inhaltsangabe
1: Tractarian Poetry and the Forms of Faith 2: 'Structured Shade': Poetry and Church Architecture 3: 'Familiar Rhythms': Poetry and the Liturgy 4: Dissenting Forms: The Brownings 5: 'Beyond the Forms of Faith?': Tennyson and the Broad Church 6: Definite Forms and Catholic Poetics Bibliography
1: Tractarian Poetry and the Forms of Faith 2: 'Structured Shade': Poetry and Church Architecture 3: 'Familiar Rhythms': Poetry and the Liturgy 4: Dissenting Forms: The Brownings 5: 'Beyond the Forms of Faith?': Tennyson and the Broad Church 6: Definite Forms and Catholic Poetics Bibliography
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