Form as Harmony in Rock Music investigates the formal-harmonic structures of classic rock of the 1960s, 70s, and 80s, demonstrating how artists across decades and genres have unified under similar compositional structures and a single musical style.
Form as Harmony in Rock Music investigates the formal-harmonic structures of classic rock of the 1960s, 70s, and 80s, demonstrating how artists across decades and genres have unified under similar compositional structures and a single musical style.
Drew Nobile is Assistant Professor of Music Theory at the University of Oregon. His research on the analysis of popular music has appeared in several publications, including Music Theory Spectrum, the Journal of Music Theory, and Music Theory Online.
Inhaltsangabe
Introduction 1. Harmonic Syntax 2. Verses 3. Choruses 4. Prechoruses, Bridges, and Auxiliary Sections 5. AABA and Strophic Forms 6. Sectional Verse-Chorus 7. Continuous Verse-Chorus 8. Verse-Prechorus-Chorus Conclusion Bibliography
