This collection of essays opens a new perspective on the interplay of religious conflict and literary culture in early modern England. Focusing on negotiation instead of escalation, thirteen distinguished international scholars explore the specific ways available to mediate, displace or suspend confessional conflict in and through literature. -- .
This collection of essays opens a new perspective on the interplay of religious conflict and literary culture in early modern England. Focusing on negotiation instead of escalation, thirteen distinguished international scholars explore the specific ways available to mediate, displace or suspend confessional conflict in and through literature. -- .Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jonathan Baldo is Professor of English at the Eastman School of Music, University of Rochester, New York Isabel Karremann is Professor of English Literature at the University of Würzburg, Germany
Inhaltsangabe
1. Introduction: A world of difference: religion, literary form, and the negotiation of conflict in early modern England - Jonathan Baldo and Isabel Karremann Part I: Religious ritual and literary form 2. Shylock celebrates Easter - Brooke Conti 3. Protestant faith and Catholic charity: negotiating confessional difference in early modern Christmas celebrations - Phebe Jensen 4. Singing in the counter: goodnight ballads in Eastward Ho - Jacqueline Wylde 5. Romancing the Eucharist: confessional conflict and Elizabethan romances - Christina Wald 6. Edmund Spenser's The Ruines of Time as a Protestant poetics of mourning and commemoration - Isabel Karremann Part II: Negotiating confessional conflict 7. Letters to a young prince: confessional conflict and the origins of English Protestantism in Samuel Rowley's When You See Me You Know Me (1605) - Brian Walsh 8. Tragic mediation in The White Devil - Thomas J. Moretti 9. 'A deed without a name:' evading theology in Macbeth - James R. Macdonald 10. Henry V and the interrogative conscience as a space for the performative negotiation of confessional conflict - Mary A. Blackstone 11. Formal experimentation and the question of Donne's ecumenicalism - Alexandra M. Block 12. Foucault, confession, and Donne - Joel M. Dodson Afterword: Reformed indifferently - Richard Wilson Index
1. Introduction: A world of difference: religion, literary form, and the negotiation of conflict in early modern England - Jonathan Baldo and Isabel Karremann Part I: Religious ritual and literary form 2. Shylock celebrates Easter - Brooke Conti 3. Protestant faith and Catholic charity: negotiating confessional difference in early modern Christmas celebrations - Phebe Jensen 4. Singing in the counter: goodnight ballads in Eastward Ho - Jacqueline Wylde 5. Romancing the Eucharist: confessional conflict and Elizabethan romances - Christina Wald 6. Edmund Spenser's The Ruines of Time as a Protestant poetics of mourning and commemoration - Isabel Karremann Part II: Negotiating confessional conflict 7. Letters to a young prince: confessional conflict and the origins of English Protestantism in Samuel Rowley's When You See Me You Know Me (1605) - Brian Walsh 8. Tragic mediation in The White Devil - Thomas J. Moretti 9. 'A deed without a name:' evading theology in Macbeth - James R. Macdonald 10. Henry V and the interrogative conscience as a space for the performative negotiation of confessional conflict - Mary A. Blackstone 11. Formal experimentation and the question of Donne's ecumenicalism - Alexandra M. Block 12. Foucault, confession, and Donne - Joel M. Dodson Afterword: Reformed indifferently - Richard Wilson Index
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