Fossil Poetry provides the first book-length overview of the place of Anglo-Saxon in nineteenth-century poetry in English. It addresses the use and role of Anglo-Saxon as a resource by Romantic and Victorian poets in their own compositions, as well as the construction and 'invention' of Anglo-Saxon in and by nineteenth-century poetry.
Fossil Poetry provides the first book-length overview of the place of Anglo-Saxon in nineteenth-century poetry in English. It addresses the use and role of Anglo-Saxon as a resource by Romantic and Victorian poets in their own compositions, as well as the construction and 'invention' of Anglo-Saxon in and by nineteenth-century poetry.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Chris Jones teaches at the University of St Andrews. His previous book Strange Likeness: The Use of Old English in Twentieth-century Poetry (OUP, 2006) was shortlisted for the ESSE best book prize of 2007.
Inhaltsangabe
* Introduction: Fossil or Root? Anglo-Saxon and the Origin and Descent of English Poetry * 1: 'Barbarous Hymn': The Extinction of Early Saxon Poetry in the Romantic Imagination * 2: The Constant Roots of English song: Anglo-Saxon and Essential Englishness * Slaying the Jabberwock: Lewis Carroll's Parody of Anglo-Saxonism * 3: Fossil Poems and the New Philology * 4: 'A vastly superior thing': The Fossil Poetry of Gerard Hopkins * 5: 'From scarped cliff and quarried stone a thousand types gone': Tennyson's Anglo-Saxon * Conclusion and Coda: Fossil Poetry into the Twentieth Century * Bibliography
* Introduction: Fossil or Root? Anglo-Saxon and the Origin and Descent of English Poetry * 1: 'Barbarous Hymn': The Extinction of Early Saxon Poetry in the Romantic Imagination * 2: The Constant Roots of English song: Anglo-Saxon and Essential Englishness * Slaying the Jabberwock: Lewis Carroll's Parody of Anglo-Saxonism * 3: Fossil Poems and the New Philology * 4: 'A vastly superior thing': The Fossil Poetry of Gerard Hopkins * 5: 'From scarped cliff and quarried stone a thousand types gone': Tennyson's Anglo-Saxon * Conclusion and Coda: Fossil Poetry into the Twentieth Century * Bibliography
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