Foucault on the Arts and Letters
Perspectives for the 21st Century
Herausgeber: Soussloff, Catherine M.
Foucault on the Arts and Letters
Perspectives for the 21st Century
Herausgeber: Soussloff, Catherine M.
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
A collection of new essays addressing Foucault's thought and its impact on thinking about the visual arts, literature and aesthetic discourse in the 21st century.
Andere Kunden interessierten sich auch für
- Foucault on the Arts and Letters62,99 €
- Zoltán SomhegyiReviewing the Past147,99 €
- Zoltán SomhegyiReviewing the Past46,99 €
- Baumgarten's Aesthetics50,99 €
- Baumgarten's Aesthetics151,99 €
- Aesthetic Theory Across the Disciplines116,99 €
- J. Colin McQuillanEarly Modern Aesthetics55,99 €
-
-
-
A collection of new essays addressing Foucault's thought and its impact on thinking about the visual arts, literature and aesthetic discourse in the 21st century.
Produktdetails
- Produktdetails
- Global Aesthetic Research
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 250
- Erscheinungstermin: 1. Oktober 2016
- Englisch
- Abmessung: 235mm x 157mm x 19mm
- Gewicht: 564g
- ISBN-13: 9781783485734
- ISBN-10: 1783485736
- Artikelnr.: 42969145
- Global Aesthetic Research
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 250
- Erscheinungstermin: 1. Oktober 2016
- Englisch
- Abmessung: 235mm x 157mm x 19mm
- Gewicht: 564g
- ISBN-13: 9781783485734
- ISBN-10: 1783485736
- Artikelnr.: 42969145
Catherine M. Soussloff is Professor of Art History, Visual Art & Theory and a permanent Associate at the Peter Wall Institute for Advanced Studies at the University of British Columbia, Canada. Her many publications include The Handbook of Visual Culture (2012), The Subject in Art (2006), The Absolute Artist (1997), Jewish Identity in Modern Art History (1999) and Editing the Image (2006).
Introduction: Perspectives on Foucault and the Arts and Letters, Catherine M. Soussloff
Part I: Visual Articulations
1. Unreason and the Ambiguities of Silence, Dana Arnold
2. The Photogenic Invention of Thought-Emotion:: Duane Michals and Michel Foucault, Anton Lee
3. Documents, Monuments and Photographs: Jean-Luc Moulene, Sophie Berrebi
Part II: Bodily Experience in Dance and Music
4. Body Techniques and Techniques of the Self: On Some Uses of Foucault's Concepts in the Choreographic Field, Frédéric Pouillaude
5. Discipline and Pianist: Foucault and the Genealogy of the Etude, Brandon Konoval
Part III: Heroic and Tragic Subjectivities
6. Foucault's Baudelaire, Sima Godfrey
7. Foucault's Beckett, Marisa C. Sanchez
8. The Role of Parresia in King Lear, Arianna Sforzini
Part IV: Aesthetics Transformed
9. Deleuze on Foucault: The Recourse to Painting, Catherine M. Soussloff
10. Critical Travels, Discursive Practices: Foucault in Tunis, Ilka Kressner
11. Remaking the Self in Heterotopia, Andrew Ballantyne
12. The Aesthetics of Bios, Fréderic Gros
Notes on Contributors
Index
Part I: Visual Articulations
1. Unreason and the Ambiguities of Silence, Dana Arnold
2. The Photogenic Invention of Thought-Emotion:: Duane Michals and Michel Foucault, Anton Lee
3. Documents, Monuments and Photographs: Jean-Luc Moulene, Sophie Berrebi
Part II: Bodily Experience in Dance and Music
4. Body Techniques and Techniques of the Self: On Some Uses of Foucault's Concepts in the Choreographic Field, Frédéric Pouillaude
5. Discipline and Pianist: Foucault and the Genealogy of the Etude, Brandon Konoval
Part III: Heroic and Tragic Subjectivities
6. Foucault's Baudelaire, Sima Godfrey
7. Foucault's Beckett, Marisa C. Sanchez
8. The Role of Parresia in King Lear, Arianna Sforzini
Part IV: Aesthetics Transformed
9. Deleuze on Foucault: The Recourse to Painting, Catherine M. Soussloff
10. Critical Travels, Discursive Practices: Foucault in Tunis, Ilka Kressner
11. Remaking the Self in Heterotopia, Andrew Ballantyne
12. The Aesthetics of Bios, Fréderic Gros
Notes on Contributors
Index
Introduction: Perspectives on Foucault and the Arts and Letters, Catherine M. Soussloff
Part I: Visual Articulations
1. Unreason and the Ambiguities of Silence, Dana Arnold
2. The Photogenic Invention of Thought-Emotion:: Duane Michals and Michel Foucault, Anton Lee
3. Documents, Monuments and Photographs: Jean-Luc Moulene, Sophie Berrebi
Part II: Bodily Experience in Dance and Music
4. Body Techniques and Techniques of the Self: On Some Uses of Foucault's Concepts in the Choreographic Field, Frédéric Pouillaude
5. Discipline and Pianist: Foucault and the Genealogy of the Etude, Brandon Konoval
Part III: Heroic and Tragic Subjectivities
6. Foucault's Baudelaire, Sima Godfrey
7. Foucault's Beckett, Marisa C. Sanchez
8. The Role of Parresia in King Lear, Arianna Sforzini
Part IV: Aesthetics Transformed
9. Deleuze on Foucault: The Recourse to Painting, Catherine M. Soussloff
10. Critical Travels, Discursive Practices: Foucault in Tunis, Ilka Kressner
11. Remaking the Self in Heterotopia, Andrew Ballantyne
12. The Aesthetics of Bios, Fréderic Gros
Notes on Contributors
Index
Part I: Visual Articulations
1. Unreason and the Ambiguities of Silence, Dana Arnold
2. The Photogenic Invention of Thought-Emotion:: Duane Michals and Michel Foucault, Anton Lee
3. Documents, Monuments and Photographs: Jean-Luc Moulene, Sophie Berrebi
Part II: Bodily Experience in Dance and Music
4. Body Techniques and Techniques of the Self: On Some Uses of Foucault's Concepts in the Choreographic Field, Frédéric Pouillaude
5. Discipline and Pianist: Foucault and the Genealogy of the Etude, Brandon Konoval
Part III: Heroic and Tragic Subjectivities
6. Foucault's Baudelaire, Sima Godfrey
7. Foucault's Beckett, Marisa C. Sanchez
8. The Role of Parresia in King Lear, Arianna Sforzini
Part IV: Aesthetics Transformed
9. Deleuze on Foucault: The Recourse to Painting, Catherine M. Soussloff
10. Critical Travels, Discursive Practices: Foucault in Tunis, Ilka Kressner
11. Remaking the Self in Heterotopia, Andrew Ballantyne
12. The Aesthetics of Bios, Fréderic Gros
Notes on Contributors
Index