Buy From deep within the New York hip-hop scene, author and b-boy Joe Schloss takes participant/observer fieldwork to its extreme. The first serious study of b-boying, the pre-eminent form of hip-hop dance commonly known as "breakdancing," Foundation: B-boys, B-girls, and Hip-Hop Culture in New York holds to its name, presenting a truly foundational study of the core concepts in the history, practice, and pedagogy of the dance form. The book delivers a powerful new paradigm for the study of hip-hop culture and of popular culture more broadly, and promises to become a seminal text in hip-hop scholarship and dance theory.…mehr
Buy From deep within the New York hip-hop scene, author and b-boy Joe Schloss takes participant/observer fieldwork to its extreme. The first serious study of b-boying, the pre-eminent form of hip-hop dance commonly known as "breakdancing," Foundation: B-boys, B-girls, and Hip-Hop Culture in New York holds to its name, presenting a truly foundational study of the core concepts in the history, practice, and pedagogy of the dance form. The book delivers a powerful new paradigm for the study of hip-hop culture and of popular culture more broadly, and promises to become a seminal text in hip-hop scholarship and dance theory.
Joseph Schloss is the visiting professor at NYU and instructor in music, Baruch College. Author, Making Beats: The Art of Sample-Based Hip-Hop (Wesleyan, 2004), recipient of the 2005 book award from the International Association for the Study of Popular Music. A leader in a new generation of practitioner/scholars writing from their own experience on the ground, Schloss exists simultaneously in the Ivory Tower and on the competitive dance floor, and has won prizes in both arenas.
Inhaltsangabe
* Acknowledgments * 1: Introduction * 2: "The Original Essence of the Dance": History, * Community, and Classic B-Boy Records * 3: "Getting your Foundcation": Pedagogy * 45: "We Have to Be Exaggerated": Aesthetics"In The Cypher": B-Boy Spaces * 67: "I Hate B-Boys - That's What I Break": BattlingFrom Rocking to B-Boying: History and Mystery * 8: Conclusions * Notes * Bibliography * Index
* Acknowledgments * 1: Introduction * 2: "The Original Essence of the Dance": History, * Community, and Classic B-Boy Records * 3: "Getting your Foundcation": Pedagogy * 45: "We Have to Be Exaggerated": Aesthetics"In The Cypher": B-Boy Spaces * 67: "I Hate B-Boys - That's What I Break": BattlingFrom Rocking to B-Boying: History and Mystery * 8: Conclusions * Notes * Bibliography * Index
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