A fresh look at the work of Frank Duveneck (1848-1919), one of the most celebrated American artists of the Gilded Age.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Julie Aronson is curator of American Paintings, Sculpture and Drawings, Cincinnati Art Museum. Barbara Gallati is curator emerita of American Art, Brooklyn Museum. Sarah Burns is Ruth N. Halls Professor, Department of Art History, Indiana University. André Dombrowski is associate professor, History of Art Department, University of Pennsylvania. Elizabeth A. Simmons is curatorial research assistant, Cincinnati Art Museum. Kristin L. Spangenberg is curator of Prints, Cincinnati Art Museum. Colm Tóibín is an award-winning novelist, short story writer, essayist, playwright, journalist, critic, and poet, and currenlty Irene and Sidney B. Silverman Professor of the Humanities, Department of English and Comparative Literature, Columbia University. He is the author of, most recently, Mad, Bad, Dangerous to Know: The Fathers of Wilde, Yeats and Joyce, (2018) and Brooklyn (2009), and co-author of Henry James and American Painting, (2017).
Inhaltsangabe
Director's Foreword by Cameron Kitchin; Acknowledgments by Julie Aronson Introduction by Barbara Gallati Essay 1: Julie Aronson, Reckoning with Duveneck's Reputation Essay 2: André Dombrowski, "Everything is Moist:" Frank Duveneck and Munich's Painterly Realism Essay 3: Sarah Burns, A Dangerous Class of Painting: Ugliness, Masculinity, and the Munich Style in Gilded Age America Essay 4: Colm Toíbín, Frank Duveneck and Henry James Essay 5: Kristin Spangenberg, Duveneck as Printmaker Essay 6: Elizabeth Simmons, Discovering Frank Duveneck's Drawings Main Catalogue: 130 Plates of artworks Notes Brief captions Illustrated Chronology, by Elizabeth Simmons Selected Bibliography Photo Credits Index
Director's Foreword by Cameron Kitchin; Acknowledgments by Julie Aronson Introduction by Barbara Gallati Essay 1: Julie Aronson, Reckoning with Duveneck's Reputation Essay 2: André Dombrowski, "Everything is Moist:" Frank Duveneck and Munich's Painterly Realism Essay 3: Sarah Burns, A Dangerous Class of Painting: Ugliness, Masculinity, and the Munich Style in Gilded Age America Essay 4: Colm Toíbín, Frank Duveneck and Henry James Essay 5: Kristin Spangenberg, Duveneck as Printmaker Essay 6: Elizabeth Simmons, Discovering Frank Duveneck's Drawings Main Catalogue: 130 Plates of artworks Notes Brief captions Illustrated Chronology, by Elizabeth Simmons Selected Bibliography Photo Credits Index
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