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With like many great works of art, 'Frankenstein' was initially misunderstood. The first reviews were decidedly mixed. An anonymous review in The Literary Panorama and National Register published June 1 1818 dismissed Shelley's work as 'a feeble imitation of one that was very popular in its day.' Other periodicals were kinder. Writing in Blackwood's Edinburgh Magazine on 20 March 1818, Walter Scott praised the unusual Gothic Romance as a "tale, though wild in incident, is written in plain and forcible English, without exhibiting that mixture of hyperbolical Germanisms with which tales of…mehr

Produktbeschreibung
With like many great works of art, 'Frankenstein' was initially misunderstood. The first reviews were decidedly mixed. An anonymous review in The Literary Panorama and National Register published June 1 1818 dismissed Shelley's work as 'a feeble imitation of one that was very popular in its day.' Other periodicals were kinder. Writing in Blackwood's Edinburgh Magazine on 20 March 1818, Walter Scott praised the unusual Gothic Romance as a "tale, though wild in incident, is written in plain and forcible English, without exhibiting that mixture of hyperbolical Germanisms with which tales of wonder are usually told." 'Frankenstein and the Critics' presents a selection of the most prominent reviews from the time of Frankenstein's publication. Also included is Mary Shelley's uncensored 1818 text often labeled 'Frankenstein 1818' presented in its unabridged entirety. This is the original, 1818 text. In 1831, the more traditionally first "popular" edition in one volume appeared.
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Autorenporträt
Mary Wollstonecraft Shelley (1797-1851) was the author of travel books, short stories, dramas, essays, and several novels, of which Frankenstein; or, The Modern Prometheus, remains the best known. After his death at sea, she also edited and promoted the works of her husband, the Romantic poet Percy Bysshe Shelley. She was born and died in London.
Rezensionen

Süddeutsche Zeitung - Rezension
Süddeutsche Zeitung | Besprechung von 26.11.2016

Mary Shelley
Nicht mal eines Namens wurde das Geschöpf für würdig befunden, immer heißt es nur die Kreatur oder das Monster, Frankensteins Monster. Der Doktor Viktor Frankenstein hatte einen perfekten künstlichen Menschen schaffen wollen, aber was bei seinem Experiment herauskam, war so abschreckend, dass es nirgends zugehörig sein durfte. Der absolute Outsider.
  Wenn er in ein Dorf kam, fielen die Frauen in Ohnmacht, Steine wurden geschleudert. Das naive und empfindsame Monster floh aufs Land und erklärte der menschlichen Spezies den Krieg. Mary Shelleys „Frankenstein“, erschienen 1818, ist ein revolutionäres Buch, das von Identität und Freiheit handelt. Zur Kultfigur wurde das Monster 1931 durch den Film von James Whale – der als Homosexueller ums Außenseiterdasein wusste. Da fingen die Menschen an, sich ihrer eigenen Monstrosität bewusst zu werden. Und so etwas wie sympathy for the monster zu empfinden.
 GÖT
Mary Shelley: Frankenstein. dtv, 304 Seiten, 8,90 Euro.
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