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Frantz Fanon's Black Skin, White Masks
New interdisciplinary essays
Herausgeber: Silverman, Max
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The first book of essays specifically devoted to Fanon's Black Skin, White Masks Black Skin, White Masks is the most celebrated anti-colonial work in the post-war period, and is widely studied Offers a range of approaches, looking at the text from the perspectives of psychoanalysis, postcolonialism, race and gender, Creolism and more Provides a significant new contribution to Fanon studies, especially through new work on the Francophone context of the work, and the ambivalent representation of blacks and jews Offers a variety of new ways of reading this important text
First published in 1952, Frantz Fanon's Black Skin, White Masks is one of the most important anti-colonial works of the post-war period. It is both a profound critique of the conscious and unconcious ways in which colonialism brutalises the colonised, and a passionate cry from deep within a black body alienated by the colonial system and in search of liberation from it. This volume is the first collection of essays specifically devoted to Fanon's text. It offers a wide range of interpretations of the text by leading scholars in a number of disciplines. Chapters deal with Fanon's Martinican heritage, Fanon and Creolism, ideas of race and racism and new humanism, Fanon and Sartre, representations of Blacks and Jews, and the psychoanalysis of race, gender and violence. Contributors offer new ways of reading the text and the volume as a whole constitutes an important contribution to the growing field of Fanon studies.
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