Freak Inheritance
Eugenics and Extraordinary Bodies in Performance
Herausgeber: Garland-Thomson, Rosemarie; Santana, Analola; Chemers, Michael Mark
Freak Inheritance
Eugenics and Extraordinary Bodies in Performance
Herausgeber: Garland-Thomson, Rosemarie; Santana, Analola; Chemers, Michael Mark
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In Freak Inheritance, both leading authors and emerging voices use cutting-edge disability and cultural theories to expose the operations of eugenicist thought in historical and contemporary culture. It is the follow-up to the field-defining Freakery: Cultural Spectacles of the Extraordinary Body (1996).
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In Freak Inheritance, both leading authors and emerging voices use cutting-edge disability and cultural theories to expose the operations of eugenicist thought in historical and contemporary culture. It is the follow-up to the field-defining Freakery: Cultural Spectacles of the Extraordinary Body (1996).
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press Inc
- Seitenzahl: 352
- Erscheinungstermin: 30. August 2024
- Englisch
- Abmessung: 226mm x 152mm x 23mm
- Gewicht: 512g
- ISBN-13: 9780197691137
- ISBN-10: 0197691137
- Artikelnr.: 69822050
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Oxford University Press Inc
- Seitenzahl: 352
- Erscheinungstermin: 30. August 2024
- Englisch
- Abmessung: 226mm x 152mm x 23mm
- Gewicht: 512g
- ISBN-13: 9780197691137
- ISBN-10: 0197691137
- Artikelnr.: 69822050
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Rosemarie Garland-Thomson is Professor Emerita at Emory University. Michael Mark Chemers is Professor and Chair, Department of Performance, Play and Design, at the University of California, Santa Cruz. Analola Santana is Associate Professor, Department of Theatre, Dartmouth College.
* FOREWORD by Jeffrey Jerome Cohen
* INTRODUCTION: "Step Right Up! A New Introduction to the Old Freak
Show" by Rosemarie Garland Thomson, Michael Mark Chemers, and Analola
Santana
* I. STAGING
* 1. "Abject Bodies in Performance Art" by Josefina Alcazar. Translated
by Analola Santana
* 2. "The Normativity of the Extraordinary: Musical Theatre on the Page
and on the Stage" by Stacy Wolf and Ryan Donovan
* 3. "Performance, Pleasure, and Profit at the Victorian Freak Show" by
Nadya Durbach
* 4. "Chick Webb's Extraordinary Body of Music" by Meisha Rosenberg
* 5. "The Enfreakment of the Premature Infant: incubator baby shows in
the United States" by Susan Kattwinkel
* II. HYBRIDITY
* 6. "The Tragic Journey of a Mexican Savage to the Civilized World" by
Roger Bartra. Translated by Analola Santana
* 7. "Rest in Peace, Charles Byrne?: The Last Testament and Enduring
Legacy of the 18th Century 'Irish Giant'" by David A. Gerber
* 8. "Chin Up: Befriending the Bearded Ladies" by Lilian Craton
* 9. "Spectacles of Prognosis: El Niño Fidencio in the 21st Century" by
Susan Antebi
* III. MONSTROSITY
* 10. "Monstrous Births and the Religious Imagination" by Devan Stahl
* 11. "Human or Alien: Tracing Enfreaked Subjects in the 20th and 21st
Century Theatre of Disability" by Danielle Bainbridge
* 12. "The Mortification of Harvey Leach" by Michael Mark Chemers
* IV. UNSETTLING
* 13. "Freakish Fecundity: Birth and Baby Reality Television as
Eugenicist Discourse" by Katya Vrtis
* 14. "Alexandrine: A German Princess with Down Syndrome who Survived
the Holocaust" by Robert Bogdan
* 15. "Dead Weight: Exhibiting Fatness Postmortem" by Joyce Huff
* 16. "Disornamentation: An Optic for Reading Depictions of Disabled,
Asian Women" by Jenna Gerdsen
* 17. "Sex Mad: Gender and Disability in the Art of Eudora Welty and
Reginald Marsh" Keri Watson
* V. LEARNING
* 18. "The Pedagogical Utility of Early Freak Show Scholarship" by
Cynthia Wu
* 19. "Teaching the Extraordinary Body: A Generation of Freaks and
Monsters in the Classroom" by Leonard Cassuto
* INTRODUCTION: "Step Right Up! A New Introduction to the Old Freak
Show" by Rosemarie Garland Thomson, Michael Mark Chemers, and Analola
Santana
* I. STAGING
* 1. "Abject Bodies in Performance Art" by Josefina Alcazar. Translated
by Analola Santana
* 2. "The Normativity of the Extraordinary: Musical Theatre on the Page
and on the Stage" by Stacy Wolf and Ryan Donovan
* 3. "Performance, Pleasure, and Profit at the Victorian Freak Show" by
Nadya Durbach
* 4. "Chick Webb's Extraordinary Body of Music" by Meisha Rosenberg
* 5. "The Enfreakment of the Premature Infant: incubator baby shows in
the United States" by Susan Kattwinkel
* II. HYBRIDITY
* 6. "The Tragic Journey of a Mexican Savage to the Civilized World" by
Roger Bartra. Translated by Analola Santana
* 7. "Rest in Peace, Charles Byrne?: The Last Testament and Enduring
Legacy of the 18th Century 'Irish Giant'" by David A. Gerber
* 8. "Chin Up: Befriending the Bearded Ladies" by Lilian Craton
* 9. "Spectacles of Prognosis: El Niño Fidencio in the 21st Century" by
Susan Antebi
* III. MONSTROSITY
* 10. "Monstrous Births and the Religious Imagination" by Devan Stahl
* 11. "Human or Alien: Tracing Enfreaked Subjects in the 20th and 21st
Century Theatre of Disability" by Danielle Bainbridge
* 12. "The Mortification of Harvey Leach" by Michael Mark Chemers
* IV. UNSETTLING
* 13. "Freakish Fecundity: Birth and Baby Reality Television as
Eugenicist Discourse" by Katya Vrtis
* 14. "Alexandrine: A German Princess with Down Syndrome who Survived
the Holocaust" by Robert Bogdan
* 15. "Dead Weight: Exhibiting Fatness Postmortem" by Joyce Huff
* 16. "Disornamentation: An Optic for Reading Depictions of Disabled,
Asian Women" by Jenna Gerdsen
* 17. "Sex Mad: Gender and Disability in the Art of Eudora Welty and
Reginald Marsh" Keri Watson
* V. LEARNING
* 18. "The Pedagogical Utility of Early Freak Show Scholarship" by
Cynthia Wu
* 19. "Teaching the Extraordinary Body: A Generation of Freaks and
Monsters in the Classroom" by Leonard Cassuto
* FOREWORD by Jeffrey Jerome Cohen
* INTRODUCTION: "Step Right Up! A New Introduction to the Old Freak
Show" by Rosemarie Garland Thomson, Michael Mark Chemers, and Analola
Santana
* I. STAGING
* 1. "Abject Bodies in Performance Art" by Josefina Alcazar. Translated
by Analola Santana
* 2. "The Normativity of the Extraordinary: Musical Theatre on the Page
and on the Stage" by Stacy Wolf and Ryan Donovan
* 3. "Performance, Pleasure, and Profit at the Victorian Freak Show" by
Nadya Durbach
* 4. "Chick Webb's Extraordinary Body of Music" by Meisha Rosenberg
* 5. "The Enfreakment of the Premature Infant: incubator baby shows in
the United States" by Susan Kattwinkel
* II. HYBRIDITY
* 6. "The Tragic Journey of a Mexican Savage to the Civilized World" by
Roger Bartra. Translated by Analola Santana
* 7. "Rest in Peace, Charles Byrne?: The Last Testament and Enduring
Legacy of the 18th Century 'Irish Giant'" by David A. Gerber
* 8. "Chin Up: Befriending the Bearded Ladies" by Lilian Craton
* 9. "Spectacles of Prognosis: El Niño Fidencio in the 21st Century" by
Susan Antebi
* III. MONSTROSITY
* 10. "Monstrous Births and the Religious Imagination" by Devan Stahl
* 11. "Human or Alien: Tracing Enfreaked Subjects in the 20th and 21st
Century Theatre of Disability" by Danielle Bainbridge
* 12. "The Mortification of Harvey Leach" by Michael Mark Chemers
* IV. UNSETTLING
* 13. "Freakish Fecundity: Birth and Baby Reality Television as
Eugenicist Discourse" by Katya Vrtis
* 14. "Alexandrine: A German Princess with Down Syndrome who Survived
the Holocaust" by Robert Bogdan
* 15. "Dead Weight: Exhibiting Fatness Postmortem" by Joyce Huff
* 16. "Disornamentation: An Optic for Reading Depictions of Disabled,
Asian Women" by Jenna Gerdsen
* 17. "Sex Mad: Gender and Disability in the Art of Eudora Welty and
Reginald Marsh" Keri Watson
* V. LEARNING
* 18. "The Pedagogical Utility of Early Freak Show Scholarship" by
Cynthia Wu
* 19. "Teaching the Extraordinary Body: A Generation of Freaks and
Monsters in the Classroom" by Leonard Cassuto
* INTRODUCTION: "Step Right Up! A New Introduction to the Old Freak
Show" by Rosemarie Garland Thomson, Michael Mark Chemers, and Analola
Santana
* I. STAGING
* 1. "Abject Bodies in Performance Art" by Josefina Alcazar. Translated
by Analola Santana
* 2. "The Normativity of the Extraordinary: Musical Theatre on the Page
and on the Stage" by Stacy Wolf and Ryan Donovan
* 3. "Performance, Pleasure, and Profit at the Victorian Freak Show" by
Nadya Durbach
* 4. "Chick Webb's Extraordinary Body of Music" by Meisha Rosenberg
* 5. "The Enfreakment of the Premature Infant: incubator baby shows in
the United States" by Susan Kattwinkel
* II. HYBRIDITY
* 6. "The Tragic Journey of a Mexican Savage to the Civilized World" by
Roger Bartra. Translated by Analola Santana
* 7. "Rest in Peace, Charles Byrne?: The Last Testament and Enduring
Legacy of the 18th Century 'Irish Giant'" by David A. Gerber
* 8. "Chin Up: Befriending the Bearded Ladies" by Lilian Craton
* 9. "Spectacles of Prognosis: El Niño Fidencio in the 21st Century" by
Susan Antebi
* III. MONSTROSITY
* 10. "Monstrous Births and the Religious Imagination" by Devan Stahl
* 11. "Human or Alien: Tracing Enfreaked Subjects in the 20th and 21st
Century Theatre of Disability" by Danielle Bainbridge
* 12. "The Mortification of Harvey Leach" by Michael Mark Chemers
* IV. UNSETTLING
* 13. "Freakish Fecundity: Birth and Baby Reality Television as
Eugenicist Discourse" by Katya Vrtis
* 14. "Alexandrine: A German Princess with Down Syndrome who Survived
the Holocaust" by Robert Bogdan
* 15. "Dead Weight: Exhibiting Fatness Postmortem" by Joyce Huff
* 16. "Disornamentation: An Optic for Reading Depictions of Disabled,
Asian Women" by Jenna Gerdsen
* 17. "Sex Mad: Gender and Disability in the Art of Eudora Welty and
Reginald Marsh" Keri Watson
* V. LEARNING
* 18. "The Pedagogical Utility of Early Freak Show Scholarship" by
Cynthia Wu
* 19. "Teaching the Extraordinary Body: A Generation of Freaks and
Monsters in the Classroom" by Leonard Cassuto