Nancy Bombaci

Freaks in Late Modernist American Culture

Nathanael West, Djuna Barnes, Tod Browning, and Carson McCullers

• Gebundenes Buch

Produktbeschreibung

Freaks in Late Modernist American Culture explores the emergence of what Nancy Bombaci terms «late modernist freakish aesthetics» - a creative fusion of «high» and «low» themes and forms in relation to distorted bodies. Literary and cinematic texts about «freaks» by Nathanael West, Djuna Barnes, Tod Browning, and Carson McCullers subvert and reinvent modern progress narratives in order to challenge high modernist literary and social ideologies. These works are marked by an acceptance of the disteleology, anarchy, and degeneration that racist discourses of the late nineteenth and early twentieth centuries associated with racial and ethnic outsiders, particularly Jews. In a period of American culture beset with increasing pressures for social and political conformity and with the threat of fascism from Europe, these late modernist narratives about «freaks» defy oppressive norms and values as they search for an anarchic and transformational creativity.

Produktdetails

• Modern American Literature 47
• Verlag: Peter Lang
• Artikelnr. des Verlages: 67832
• Seitenzahl: 178
• Englisch
• Abmessung: 14mm x 160mm x 230mm
• Gewicht: 410g
• ISBN-13: 9780820478326
• ISBN-10: 0820478326
• Artikelnr.: 23259704

Autorenporträt

The Author: Nancy Bombaci, Assistant Professor of Writing and Literature at Mitchell College in New London, Connecticut, received her Ph.D. in English from Fordham University in New York. She has published articles on modern and postmodern fiction in Criticism and LIT: Literature Interpretation Theory. Her research interests also include disability studies, performance studies, and writing pedagogy.

Inhaltsangabe

Acknowledgments - Introduction - Degeneration, Anti- Semitism, and the Enfreakment of Modernism - Nathanael West's Aspiring Freakish Flâneurs - "Well of Course, I Used to Be Absolutely Gorgeous, Dear": The Female Interviewer as Subject/ Object in Djuna Barnes's Journalism - Heredity, Transvestism, and the Limits of Self- Fashioning in Nightwood - Horror, Melodrama, and Mutable Masculine Identity in Tod Browning's Films - ''This Thing I Long For I Know Not What": Carson McCullers and the Melodrama of the Domesticated Freak - Conclusion: Deviance, Defiance, and the Problem of "Weirdness" - Afterword: The Freakish Flâneur Reconsidered - Bibliography - Index.