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Despite the end of the Cold War, America's national security apparatus for controlling information has remained in place. However, sex and secularism are emerging as the major targets of censorship. Federal decency standards have been imposed on art, the broadcast media, and the Internet. Virtually every major political issue of the 1990s (abortion, campaign finance, violence on TV, homosexuality, indecency on the Internet) has First Amendment implications, and all are included in this comprehensive encyclopedia. This work covers the full history of America's struggle for free expression, as…mehr

Produktbeschreibung
Despite the end of the Cold War, America's national security apparatus for controlling information has remained in place. However, sex and secularism are emerging as the major targets of censorship. Federal decency standards have been imposed on art, the broadcast media, and the Internet. Virtually every major political issue of the 1990s (abortion, campaign finance, violence on TV, homosexuality, indecency on the Internet) has First Amendment implications, and all are included in this comprehensive encyclopedia. This work covers the full history of America's struggle for free expression, as well as the contemporary dynamics represented by pop figures like Frank Zappa, Howard Stern, and Danny Goldberg and politicians like Jesse Helms and Don Edwards. It goes beyond other academic works of its kind by recognizing the primacy of the mass media and the Internet in defining the modern contours of the First Amendment.
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Autorenporträt
HERBERT N. FOERSTEL is the retired former head of Branch Libraries at the University of Maryland in College Park and is a current member of the board of directors of the National Security Archive at George Washington University. He is the author of Surveillance in the Stacks (Greenwood, 1991), Secret Science (Praeger, 1993), Banned in the USA (Greenwood, 1994), Climbing the Hill with his daughter Karen Foerstel (Praeger, 1996), Free Expression and Censorship in America (Greenwood, 1997), and Banned in the Media (Greenwood, 1998)