Freedom Girls: Voicing Femininity in 1960s British Pop tells the stories a group of singers--Sandie Shaw, Cilla Black, Millie Small, Dusty Springfield, Lulu, Marianne Faithfull, and P.P. Arnold--whose singing voices transformed understandings of modern femininity in the 1960s. Often left out of histories of rock and pop music, the stories of these singers show us how the way we speak and sing are tied to the way we understand race and gender. This book analyzes musical recordings, television programs, and a wide range of media produced for young audiences in the 1960s to show how girl singers played a crucial role in the history of pop music.…mehr
Freedom Girls: Voicing Femininity in 1960s British Pop tells the stories a group of singers--Sandie Shaw, Cilla Black, Millie Small, Dusty Springfield, Lulu, Marianne Faithfull, and P.P. Arnold--whose singing voices transformed understandings of modern femininity in the 1960s. Often left out of histories of rock and pop music, the stories of these singers show us how the way we speak and sing are tied to the way we understand race and gender. This book analyzes musical recordings, television programs, and a wide range of media produced for young audiences in the 1960s to show how girl singers played a crucial role in the history of pop music.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Alexandra Apolloni is a writer, singer, and music historian. She holds a PhD in Musicology from UCLA and an undergraduate degree in Music and Women's Studies from Wilfrid Laurier University in Waterloo, Canada. Currently, she directs the Scholars as Leaders; Scholars as Learners program for the Faculty of Arts and Science Dean's Office at Yale. Previously, she was the Program and Research Developer at the UCLA Center for the Study of Women. From 2019 to 2021, Alexandra served as Vice President of the International Association for the Study of Popular Music, US-Branch.
Inhaltsangabe
* Introduction * Vocal Manners for Moderns * Part I: Ordinary, Extraordinary Voices * Chapter 1: Chart Chicks and Gear Girls: The Limits of Mod Femininity * Chapter 2: A girl in a million, just like a million": Sandie Shaw and Ordinary Girlhood * Chapter 3: Sounding Like Liverpool: Region, Memory, and Cilla Black's Accent * Part II: * Chapter 4: England meets Jamaica's Lollipop Girl: Millie Small, Voice, and Migration * Chapter 5: Race, Self-Invention, and Dusty Springfield's Voice * Part III: Voice, Age, and Sex * Chapter 6: The Last Remaining Virgin in London: Lulu, Whiteness, and Youth * Chapter 7: Sex, Freedom, and Marianne Faithfull's Voice at the Twilight of the Sixties * Chapter 8: Remembering Rock and Roll with P.P. Arnold * Epilogue * Index
* Introduction * Vocal Manners for Moderns * Part I: Ordinary, Extraordinary Voices * Chapter 1: Chart Chicks and Gear Girls: The Limits of Mod Femininity * Chapter 2: A girl in a million, just like a million": Sandie Shaw and Ordinary Girlhood * Chapter 3: Sounding Like Liverpool: Region, Memory, and Cilla Black's Accent * Part II: * Chapter 4: England meets Jamaica's Lollipop Girl: Millie Small, Voice, and Migration * Chapter 5: Race, Self-Invention, and Dusty Springfield's Voice * Part III: Voice, Age, and Sex * Chapter 6: The Last Remaining Virgin in London: Lulu, Whiteness, and Youth * Chapter 7: Sex, Freedom, and Marianne Faithfull's Voice at the Twilight of the Sixties * Chapter 8: Remembering Rock and Roll with P.P. Arnold * Epilogue * Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826