Freedom Sounds addresses the impact of the Civil Rights Movement and African Independence on jazz in the 1950s and 60s, and develops a new framework for thinking through the relationships among music, politics, aesthetics, and activism by carefully addressing the hot button racial and economic issues that generated contentious and soul-searching debate.
Freedom Sounds addresses the impact of the Civil Rights Movement and African Independence on jazz in the 1950s and 60s, and develops a new framework for thinking through the relationships among music, politics, aesthetics, and activism by carefully addressing the hot button racial and economic issues that generated contentious and soul-searching debate.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ingrid Monson is the Quincy Jones Professor of African American Music, Supported by the Time Warner Endowment at Harvard University where she holds a joint appointment in the departments of Music and African and African American Studies. Her research interests include jazz, African American music, and the music of Mali.
Inhaltsangabe
1.: Introduction 2.: Jim Crow, Economics, and the Politics of Musicianship 3.: Modernism, Race, and Aesthetics 4.: Africa, The Cold War and the Diaspora at Home 5.: Activism and Fundraising from Freedom Now to the Freedom Rides 6.: Activism and Fundraising from Birmingham to Black Power 7.: The Debate Within: White Backlash, The New Thing, and Economics 8.: Aesthetic Agency and Self-Determination 9.: Coda
1.: Introduction 2.: Jim Crow, Economics, and the Politics of Musicianship 3.: Modernism, Race, and Aesthetics 4.: Africa, The Cold War and the Diaspora at Home 5.: Activism and Fundraising from Freedom Now to the Freedom Rides 6.: Activism and Fundraising from Birmingham to Black Power 7.: The Debate Within: White Backlash, The New Thing, and Economics 8.: Aesthetic Agency and Self-Determination 9.: Coda
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