Andrei Pop argues that Frege's distinction between sense and reference, concept and object, and asserted and unasserted thought provides a superior account of the overlapping categories of fiction and art. This book also tackles case studies in Fregean art history and theory.
Andrei Pop argues that Frege's distinction between sense and reference, concept and object, and asserted and unasserted thought provides a superior account of the overlapping categories of fiction and art. This book also tackles case studies in Fregean art history and theory.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments Introduction: Frodo Lives! Chapter 1: What Fiction Could Not Be Chapter 2: From Make-Believe to Realism Chapter 3: Frege's Theory of Pictures Chapter 4: Art and Truths Chapter 5: Allegory and its Discontents Chapter 6: Sculpture as Cubic Form Chapter 7: Bolzano on the Objectivity of Ugliness (and Beauty) Chapter 8: Aesthetic Properties: From the Sublime to the Ridiculous Chapter 9: Goya and the Paradox of Tolerance Chapter 10: On First Person Perspective(s) Conclusion: Flower Arranging in the Library of Babel Bibliography Notes About the Author
Acknowledgments Introduction: Frodo Lives! Chapter 1: What Fiction Could Not Be Chapter 2: From Make-Believe to Realism Chapter 3: Frege's Theory of Pictures Chapter 4: Art and Truths Chapter 5: Allegory and its Discontents Chapter 6: Sculpture as Cubic Form Chapter 7: Bolzano on the Objectivity of Ugliness (and Beauty) Chapter 8: Aesthetic Properties: From the Sublime to the Ridiculous Chapter 9: Goya and the Paradox of Tolerance Chapter 10: On First Person Perspective(s) Conclusion: Flower Arranging in the Library of Babel Bibliography Notes About the Author
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