A ground-breaking study of the musical and literary priorities, professional practices and creative interactions that shaped one of the most adventurous artforms of the Belle Époque.
A ground-breaking study of the musical and literary priorities, professional practices and creative interactions that shaped one of the most adventurous artforms of the Belle Époque.
Emily Kilpatrick is Associate Professor and Lecturer in Academic Studies at the Royal Academy of Music, London.
Inhaltsangabe
Preface Acknowledgements Part I: Poet 1 Baudelaire's Invitation to Composers 2 Song and Memory in the "Terrible Year" 3 "To the Depths of the Unknown in Search of the New!" 4 Interlude: The Poet Sings Part II: Singer 5 Mélodie at the Crossroads 6 Song, Salons, and the "Society Singer" 7 Collaboration and Creative Process 8 Interlude: The Voices of Fêtes Galantes Part III: Public 9 Singing Histories 10 Reimagining Song at the Conservatoire 11 Mélodie Centre Stage 12 Postlude: Philosophies of Composition Bibliography Index
Preface Acknowledgements Part I: Poet 1 Baudelaire's Invitation to Composers 2 Song and Memory in the "Terrible Year" 3 "To the Depths of the Unknown in Search of the New!" 4 Interlude: The Poet Sings Part II: Singer 5 Mélodie at the Crossroads 6 Song, Salons, and the "Society Singer" 7 Collaboration and Creative Process 8 Interlude: The Voices of Fêtes Galantes Part III: Public 9 Singing Histories 10 Reimagining Song at the Conservatoire 11 Mélodie Centre Stage 12 Postlude: Philosophies of Composition Bibliography Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
