French Baroque Opera - Wood, Caroline; Sadler, Graham
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From the outset, French opera generated an enormous diversity of literature, familiarity with which greatly enhances our understanding of this unique art form. Yet relatively little of that literature is available in English, despite an upsurge of interest in the Lully-Rameau period during the past two decades. This book presents a wide-ranging and informative picture of the organization and evolution of French Baroque opera, its aims and aspirations, its strengths and weaknesses. Drawing on official documents, theoretical writings, letters, diaries, dictionary entries, contemporary reviews…mehr

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Produktbeschreibung
From the outset, French opera generated an enormous diversity of literature, familiarity with which greatly enhances our understanding of this unique art form. Yet relatively little of that literature is available in English, despite an upsurge of interest in the Lully-Rameau period during the past two decades. This book presents a wide-ranging and informative picture of the organization and evolution of French Baroque opera, its aims and aspirations, its strengths and weaknesses. Drawing on official documents, theoretical writings, letters, diaries, dictionary entries, contemporary reviews and commentaries, it provides an often entertaining insight into Lully's once-proud Royal Academy of Music and the colourful characters who surrounded it. The translated passages are set in context, and readers are directed to further scholarly and critical writings in English. Readers will find this new, updated edition easier to use with its revised and expanded translations, supplementary explanatory content and new illustrations.
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Autorenporträt
Both authors are established scholars in the field of French Baroque music. Caroline Wood is a retired Senior Lecturer at the University of Hull, UK. Her publications include Music and Drama in the 'tragédie en musique', 1673-1715 (1996). Graham Sadler is Research Professor at Birmingham Conservatoire, UK, and author of The Rameau Compendium (2014). Both have contributed extensively to leading musicological journals and standard reference works.