Cutting across a swath of recent French-produced cinema, French Blockbusters offers the first book-length consideration of the theoretical implications, historical impact and cultural consequences of a recent grouping of popular films that are rapidly changing what it means to make or to see a 'French' film today.
Cutting across a swath of recent French-produced cinema, French Blockbusters offers the first book-length consideration of the theoretical implications, historical impact and cultural consequences of a recent grouping of popular films that are rapidly changing what it means to make or to see a 'French' film today.
Charlie Michael is Assistant Professor of Film at Georgia Gwinnett College outside Atlanta. He is the author of French Blockbusters: Cultural Politics of a Transnational Cinema (EUP, 2019) and the co-editor of the Directory of World Cinema France (2013).
Inhaltsangabe
Acknowledgements List of Figures Foreward by Frédéric Gimello-Mesplomb Introduction: French Blockbusters? Chapter 1: The Lang Plan and its Aftermath Chapter 2: Popular French Cinema and 'Cultural Diversity' Chapter 3: The Debatable Destiny of Amélie Poulain Chapter 4: Valerian and the Planet of a Thousand Critics Chapter 5: Countercurrents in French Action Cinema Chapter 6: Serial (Bad?) French Comedies Conclusion: A Disputed Heritage
Acknowledgements List of Figures Foreward by Frédéric Gimello-Mesplomb Introduction: French Blockbusters? Chapter 1: The Lang Plan and its Aftermath Chapter 2: Popular French Cinema and 'Cultural Diversity' Chapter 3: The Debatable Destiny of Amélie Poulain Chapter 4: Valerian and the Planet of a Thousand Critics Chapter 5: Countercurrents in French Action Cinema Chapter 6: Serial (Bad?) French Comedies Conclusion: A Disputed Heritage
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