French Theatre in the Neo-Classical Era, 1550 1789
Herausgeber: Howarth, William D.
French Theatre in the Neo-Classical Era, 1550 1789
Herausgeber: Howarth, William D.
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This important reference work covers the period which saw the establishment in France of the Com die-Fran aise, an Italian theatre and a state opera.
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This important reference work covers the period which saw the establishment in France of the Com die-Fran aise, an Italian theatre and a state opera.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 764
- Erscheinungstermin: 30. September 2008
- Englisch
- Abmessung: 229mm x 152mm x 41mm
- Gewicht: 1085g
- ISBN-13: 9780521100878
- ISBN-10: 0521100879
- Artikelnr.: 26205018
- Verlag: Cambridge University Press
- Seitenzahl: 764
- Erscheinungstermin: 30. September 2008
- Englisch
- Abmessung: 229mm x 152mm x 41mm
- Gewicht: 1085g
- ISBN-13: 9780521100878
- ISBN-10: 0521100879
- Artikelnr.: 26205018
List of documents
General editors' preface
Editor's preface
Historical references and glossary
Abbreviations
Introduction
Part I. 1550-1630 Christopher Smith: 1. Documents of control
2. Humanist drama
3. Theatre in Paris
4. Theatre in the provinces
5. Theatre at court
Part II. 1630-80 Edward Forman, Michael O'Regan and William D. Howarth: 6. Documents of control
7. Playhouses and companies
8. Actors and acting
9. Mise-en-scène and costume
10. Audiences
11. Authors and their critics
Part III. 1680-1715 Jan Clarke
12. Documents of control
13. Company documents
14. Playhouses
15. The play in rehearsal and performance
16. Audiences
17. Provincial and amateur theatre
18. The morality debate
Part IV. 1715-91 John Golder and William D. Howarth: 19. Documents of control
20. Company administration
21. Theatre architecture
22. Stage presentation
23. Actors and acting
24. Audiences, critics and the eighteenth-century repertoire
25. Censorship and the morality debate
26. Independent, provincial and private theatres
27. Actors and authors
the end of the ancien régime
Bibliography.
General editors' preface
Editor's preface
Historical references and glossary
Abbreviations
Introduction
Part I. 1550-1630 Christopher Smith: 1. Documents of control
2. Humanist drama
3. Theatre in Paris
4. Theatre in the provinces
5. Theatre at court
Part II. 1630-80 Edward Forman, Michael O'Regan and William D. Howarth: 6. Documents of control
7. Playhouses and companies
8. Actors and acting
9. Mise-en-scène and costume
10. Audiences
11. Authors and their critics
Part III. 1680-1715 Jan Clarke
12. Documents of control
13. Company documents
14. Playhouses
15. The play in rehearsal and performance
16. Audiences
17. Provincial and amateur theatre
18. The morality debate
Part IV. 1715-91 John Golder and William D. Howarth: 19. Documents of control
20. Company administration
21. Theatre architecture
22. Stage presentation
23. Actors and acting
24. Audiences, critics and the eighteenth-century repertoire
25. Censorship and the morality debate
26. Independent, provincial and private theatres
27. Actors and authors
the end of the ancien régime
Bibliography.
List of documents
General editors' preface
Editor's preface
Historical references and glossary
Abbreviations
Introduction
Part I. 1550-1630 Christopher Smith: 1. Documents of control
2. Humanist drama
3. Theatre in Paris
4. Theatre in the provinces
5. Theatre at court
Part II. 1630-80 Edward Forman, Michael O'Regan and William D. Howarth: 6. Documents of control
7. Playhouses and companies
8. Actors and acting
9. Mise-en-scène and costume
10. Audiences
11. Authors and their critics
Part III. 1680-1715 Jan Clarke
12. Documents of control
13. Company documents
14. Playhouses
15. The play in rehearsal and performance
16. Audiences
17. Provincial and amateur theatre
18. The morality debate
Part IV. 1715-91 John Golder and William D. Howarth: 19. Documents of control
20. Company administration
21. Theatre architecture
22. Stage presentation
23. Actors and acting
24. Audiences, critics and the eighteenth-century repertoire
25. Censorship and the morality debate
26. Independent, provincial and private theatres
27. Actors and authors
the end of the ancien régime
Bibliography.
General editors' preface
Editor's preface
Historical references and glossary
Abbreviations
Introduction
Part I. 1550-1630 Christopher Smith: 1. Documents of control
2. Humanist drama
3. Theatre in Paris
4. Theatre in the provinces
5. Theatre at court
Part II. 1630-80 Edward Forman, Michael O'Regan and William D. Howarth: 6. Documents of control
7. Playhouses and companies
8. Actors and acting
9. Mise-en-scène and costume
10. Audiences
11. Authors and their critics
Part III. 1680-1715 Jan Clarke
12. Documents of control
13. Company documents
14. Playhouses
15. The play in rehearsal and performance
16. Audiences
17. Provincial and amateur theatre
18. The morality debate
Part IV. 1715-91 John Golder and William D. Howarth: 19. Documents of control
20. Company administration
21. Theatre architecture
22. Stage presentation
23. Actors and acting
24. Audiences, critics and the eighteenth-century repertoire
25. Censorship and the morality debate
26. Independent, provincial and private theatres
27. Actors and authors
the end of the ancien régime
Bibliography.