French Vocal Literature introduces singers to the history and performance concerns of a vast body of French songs from the sixteenth century to the present, focusing on songs for solo voice or small vocal ensemble with piano or organ accompaniment suitable for recital, concert, or church performance.
French Vocal Literature introduces singers to the history and performance concerns of a vast body of French songs from the sixteenth century to the present, focusing on songs for solo voice or small vocal ensemble with piano or organ accompaniment suitable for recital, concert, or church performance.
Prologue: French Prosody Chapter One: French Poetry and the Development of Vocal Forms (12th 16th centuries) Chapter Two: The Turbulent Century and the Air de cour (1576 1661) Chapter Three: The Grand Siècle: Louis XIV and the birth of French opera (1661 1715) Chapter Four: Life after Lully (1697 1750) Entr'acte: Enlightenment, Revolution and Empire (1750 1815) Chapter Five: Romance to Mélodie: The Advent of Romanticism in France (1815 1848) Chapter Six: Middle Class Mélodie (1848 1870) Chapter Seven: The Mélodie as Chamber Music (1850 75) Chapter Eight : Wagnerites and Acolytes (1880s and 1890s) Chapter Nine: The Belle Epoque I (1885 1894) Chapter Ten: Harmonic and Prosodic Rebels: The "Impressionists" (Belle Époque II:1894 1906) Chapter Eleven: "True France" and the March to War (Belle Époque III: 1906 1914) Chapter Twelve : Les Années folles: Cocteau, Satie and Les Six (1918 1930) Chapter 13: Mystical Mélodie: Romanticism extended (1914 1945) Chapter Fourteen: Into the Twenty First Century: Connecting the Irreconcilable (1945 present)
Prologue: French Prosody Chapter One: French Poetry and the Development of Vocal Forms (12th 16th centuries) Chapter Two: The Turbulent Century and the Air de cour (1576 1661) Chapter Three: The Grand Siècle: Louis XIV and the birth of French opera (1661 1715) Chapter Four: Life after Lully (1697 1750) Entr'acte: Enlightenment, Revolution and Empire (1750 1815) Chapter Five: Romance to Mélodie: The Advent of Romanticism in France (1815 1848) Chapter Six: Middle Class Mélodie (1848 1870) Chapter Seven: The Mélodie as Chamber Music (1850 75) Chapter Eight : Wagnerites and Acolytes (1880s and 1890s) Chapter Nine: The Belle Epoque I (1885 1894) Chapter Ten: Harmonic and Prosodic Rebels: The "Impressionists" (Belle Époque II:1894 1906) Chapter Eleven: "True France" and the March to War (Belle Époque III: 1906 1914) Chapter Twelve : Les Années folles: Cocteau, Satie and Les Six (1918 1930) Chapter 13: Mystical Mélodie: Romanticism extended (1914 1945) Chapter Fourteen: Into the Twenty First Century: Connecting the Irreconcilable (1945 present)
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