Freud for Architects explains what Freud offers to the understanding of architectural creativity and architectural experience, with case examples from early modern architecture to the present.
Freud for Architects explains what Freud offers to the understanding of architectural creativity and architectural experience, with case examples from early modern architecture to the present.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
John Abell, PhD, specializes in modern architectural design and urban design critical theory, particularly as these intersect with aesthetic experience, material craft, and design technologies.
Inhaltsangabe
1. Introduction. The psyche aesthetic experience and architecture Reading Freud psychoanalytic theory and clinical practice. Social influence psychotherapeutic design wild analysis and architectural "aeffects". Outline of the book. 2. Freud and modernity: selfhood and emancipatory self-determination. Freud and Vienna: modernity and culture. Contrasting architectural preferences in fin-de-siècle Vienna. The Interpretation of Dreams 1900. Psychical selfhood and self-determination. Trauma repression architecture of screen memories remembering repeating and working through. Cultural screens disconnection negation and affirmation. Conclusion. 3. Aesthetic experience: the object empathy the unconscious and architectural design. Unconsciously projecting oneself and intuiting the shape or form of an art object: Semper Vischer Schmarsow Wölfflin Giedion and Moholy-Nagy. Stone and phantasy smooth and rough. Inside-outside corners birth trauma and character armor. The turbulent section and the Paranoid Critical Method. Asymmetric blur zones and the uncanny. Conclusion. 4. Open form the formless and "that oceanic feeling". Architectural formlessness not literal formlessness. Freud and the spatialities of the psychical apparatus. Phases of psychical development in childhood. The oral phase. Repression. Blurred zones and architectural empathy for formlessness. Conclusion. 5. Closed-form rule-based composition and control of the architectural gift. The second phase of development the anal phase and struggles over control of a gift. Threshold practices: isolation repetition procedures for handling objects and diverting impulses. A brief history of closed-form rule-based composition and control of the architectural gift. House II. Conclusion. 6. Architectural simulation: wishful phantasy and the real. The third phase of development the phallic phase: a wish and overcoming prohibitions against the wish. Simulation wishes and world views. "Vertical Horizon" and the plot of phallic phantasy. Conclusion. 7. Spaces of social encounter: freedoms and constraints. The last phase of development in childhood the genital phase and the search for obtainable objects. Open slab versus regime room: empathy for freedom versus constraint in spaces of social encounter. Conclusion. Conclusion. Further Reading. References. Index.
1. Introduction. The psyche aesthetic experience and architecture Reading Freud psychoanalytic theory and clinical practice. Social influence psychotherapeutic design wild analysis and architectural "aeffects". Outline of the book. 2. Freud and modernity: selfhood and emancipatory self-determination. Freud and Vienna: modernity and culture. Contrasting architectural preferences in fin-de-siècle Vienna. The Interpretation of Dreams 1900. Psychical selfhood and self-determination. Trauma repression architecture of screen memories remembering repeating and working through. Cultural screens disconnection negation and affirmation. Conclusion. 3. Aesthetic experience: the object empathy the unconscious and architectural design. Unconsciously projecting oneself and intuiting the shape or form of an art object: Semper Vischer Schmarsow Wölfflin Giedion and Moholy-Nagy. Stone and phantasy smooth and rough. Inside-outside corners birth trauma and character armor. The turbulent section and the Paranoid Critical Method. Asymmetric blur zones and the uncanny. Conclusion. 4. Open form the formless and "that oceanic feeling". Architectural formlessness not literal formlessness. Freud and the spatialities of the psychical apparatus. Phases of psychical development in childhood. The oral phase. Repression. Blurred zones and architectural empathy for formlessness. Conclusion. 5. Closed-form rule-based composition and control of the architectural gift. The second phase of development the anal phase and struggles over control of a gift. Threshold practices: isolation repetition procedures for handling objects and diverting impulses. A brief history of closed-form rule-based composition and control of the architectural gift. House II. Conclusion. 6. Architectural simulation: wishful phantasy and the real. The third phase of development the phallic phase: a wish and overcoming prohibitions against the wish. Simulation wishes and world views. "Vertical Horizon" and the plot of phallic phantasy. Conclusion. 7. Spaces of social encounter: freedoms and constraints. The last phase of development in childhood the genital phase and the search for obtainable objects. Open slab versus regime room: empathy for freedom versus constraint in spaces of social encounter. Conclusion. Conclusion. Further Reading. References. Index.
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