"This book offers an interdisciplinary approach to religion and psychology, including a compelling denouement that reveals new narratives about longstanding rumours in the early history of the psychoanalytic movement. This volume demonstrates that the first generation of psychoanalysts succeeded in writing themselves into the history of religious thought and sacralizing the origins of psychoanalysis"--
"This book offers an interdisciplinary approach to religion and psychology, including a compelling denouement that reveals new narratives about longstanding rumours in the early history of the psychoanalytic movement. This volume demonstrates that the first generation of psychoanalysts succeeded in writing themselves into the history of religious thought and sacralizing the origins of psychoanalysis"--
Maya Balakirsky Katz is a clinical psychoanalyst and an Associate Professor of Jewish Art at Bar-Ilan University, Israel. She is the author of The Visual Culture of Chabad (Cambridge, 2010) and Drawing the Iron Curtain: Jews and the Golden Age of Soviet Animation (2016). She is a co-editor of the journal Images: A Journal of Jewish Art and Visual Culture.
Inhaltsangabe
1. Introduction: periodic religion and the psychoanalytic movement 2. The first numbers and the five stages of periodical publication 3. The religious rise and fall of the Zentralblatt 4. Jonah's journey across the nations: Zurich, Vienna, America, and Munich 5. Art, psychoanalytic interpretation, and the Holy Romanish Moses 6. Triangles: thoroughbreds, dray horses, and the 'dream problem' 7. Concluding remarks on 'the Christian Aeon' and 'us Jews'.
1. Introduction: periodic religion and the psychoanalytic movement 2. The first numbers and the five stages of periodical publication 3. The religious rise and fall of the Zentralblatt 4. Jonah's journey across the nations: Zurich, Vienna, America, and Munich 5. Art, psychoanalytic interpretation, and the Holy Romanish Moses 6. Triangles: thoroughbreds, dray horses, and the 'dream problem' 7. Concluding remarks on 'the Christian Aeon' and 'us Jews'.
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