13,99 €
inkl. MwSt.
Versandfertig in 2-4 Wochen
7 °P sammeln
The instant New York Times bestseller
'An unbelievable debut' New York Times
Racism, but "managed" through virtual reality
Black Friday, except you die in a bargain-crazed throng
Happiness, but pharmacological
Love, despite everything
A Publisher's Weekly Most Anticipated Book for Fall 2018
Friday Black tackles urgent instances of racism and cultural unrest, and explores the many ways we fight for humanity in an unforgiving world. In the first, unforgettable story of this collection, The Finkelstein Five, Adjei-Brenyah gives us an unstinting reckoning of the brutal prejudice of the US justice system. In Zimmer Land we see a far-too-easy-to-believe imagining of racism as sport. And Friday Black and How to Sell a Jacket as Told by Ice King show the horrors of consumerism and the toll it takes on us all.
Fresh, exciting, vital and contemporary, Friday Black will appeal to people who love Colson Whitehead's Underground Railroad, the TV show Black Mirror, the work of Kurt Vonnegut and George Saunders, and anyone looking for stories that speak to the world we live in now.
'An excitement and a wonder' George Saunders
'The writing in this outstanding collection will make you hurt and demand your hope' Roxane Gay
'The fiction debut of the year. Bravo young man. We await your encore' Mary Karr
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
'An unbelievable debut' New York Times
Racism, but "managed" through virtual reality
Black Friday, except you die in a bargain-crazed throng
Happiness, but pharmacological
Love, despite everything
A Publisher's Weekly Most Anticipated Book for Fall 2018
Friday Black tackles urgent instances of racism and cultural unrest, and explores the many ways we fight for humanity in an unforgiving world. In the first, unforgettable story of this collection, The Finkelstein Five, Adjei-Brenyah gives us an unstinting reckoning of the brutal prejudice of the US justice system. In Zimmer Land we see a far-too-easy-to-believe imagining of racism as sport. And Friday Black and How to Sell a Jacket as Told by Ice King show the horrors of consumerism and the toll it takes on us all.
Fresh, exciting, vital and contemporary, Friday Black will appeal to people who love Colson Whitehead's Underground Railroad, the TV show Black Mirror, the work of Kurt Vonnegut and George Saunders, and anyone looking for stories that speak to the world we live in now.
'An excitement and a wonder' George Saunders
'The writing in this outstanding collection will make you hurt and demand your hope' Roxane Gay
'The fiction debut of the year. Bravo young man. We await your encore' Mary Karr
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
An unbelievable debut, one that announces a new and necessary American voice . . . A dystopian story collection as full of violence as it is of heart. To achieve such an honest pairing of gore with tenderness is no small feat . . . Violence is only gratuitous when it serves no purpose, and throughout Friday Black we are aware that the violence is crucially related to both what is happening in America now, and what happened in its bloody and brutal history . . . In smart, terse prose, Adjei-Brenyah is unflinching, and willing, in most of these 12 stories, to leave us without any apparent hope. But the hope is there or if it isn't hope, it's maybe something better: levelheaded, compassionate protagonists, with just enough integrity and ambivalence that they never feel sentimental. Each of these individuals carries a subtle clarity about what matters most when nothing makes sense in these strange and brutal worlds he builds . . . Adjei-Brenyah's voice here is as powerful and original as Saunders's is throughout Tenth of December . . . [Adjei-Brenyah] is here to signal a warning, or perhaps just to say this is what it feels like, in stories that move and breathe and explode on the page. In Friday Black, the dystopian future Adjei-Brenyah depicts - like all great dystopian fiction - is bleakly futuristic only on its surface. At its center, each story - sharp as a knife - points to right now. New York Time