Sarah Hegenbart

From Bayreuth to Burkina Faso

Christoph Schlingensief's Opera Village Africa as Postcolonial Gesamtkunstwerk?

• Broschiertes Buch

Produktbeschreibung

The postcolonial Gesamtkunstwerk: Disrupting the Eurocentric perspective on art history and addressing Germany's colonial history

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Produktdetails

• Verlag: Leuven University Press
• Seitenzahl: 294
• Erscheinungstermin: 30. November 2022
• Englisch
• Abmessung: 231mm x 159mm x 18mm
• Gewicht: 446g
• ISBN-13: 9789462703582
• ISBN-10: 9462703582
• Artikelnr.: 64486714

Autorenporträt

Sarah Hegenbart is lecturer in art history at Technical University of Munich and previously acted as a substitute for the professorship of art research with a focus on contemporary arts at the Braunschweig University of Art (HBK Braunschweig). She is a member of 'Die Junge Akademie Mainz' and member of the consortium of the Horizon 2020 research project 'Art and Research on Transformations of Individuals and Societies'.

Inhaltsangabe

Acknowledgements
Introduction Opera of Ambiguities
Chapter One Egomania - Germany Without Hope? Rectifying the impression that
Schlingensief staged a Wagnerian Gesamtkunstwerk at the Venice Biennial
2011
Chapter Two From Bayreuth to Burkina Faso: Stripping the Gesamtkunstwerk
of its German coordinates
Chapter Three The Mission of a Contemporary Parsifal: Redeeming Germany in
Burkina Faso
Chapter Four Revolving Opera and Psychic Interiors: The Animatograph
Chapter Five Readymade and Azione Scenica: Schlingensief's Expanded
Definition of Opera
Chapter Six Opera Village as postcolonial Gesamtkunstwerk?
Conclusion The Gesamtkunstwerk: Smashed or revived?
Notes Bibliography Index