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The notion of space production becomes (even more) complex because it is not only inscribed in materiality, and often dispense with it.What I will try to show here is the confirmation of the end of the city by performing the city spectacularly as a scenario; that is, the city I will talk about, put as a specific moment of the urban, is fallacious: it only takes place as a moment of what is false, fictionally. Nor is it any less real. If the society is that of the spectacle, the cities are its scenario par excellence.Fictitious capital is spatialized and space is fictionalised. Fixed capital…mehr

Produktbeschreibung
The notion of space production becomes (even more) complex because it is not only inscribed in materiality, and often dispense with it.What I will try to show here is the confirmation of the end of the city by performing the city spectacularly as a scenario; that is, the city I will talk about, put as a specific moment of the urban, is fallacious: it only takes place as a moment of what is false, fictionally. Nor is it any less real. If the society is that of the spectacle, the cities are its scenario par excellence.Fictitious capital is spatialized and space is fictionalised. Fixed capital transmutes itself into image fixed capital.The process goes from abstract space to abstract space. The real abstraction abstracting the reality: the real reduced to the image. Reality starts to exist after being made and mediated by the image.
Autorenporträt
Doctorado en Geografía Humana de la Universidad de São Paulo. Profesor e investigador de la Universidad Federal de Goiás. Se ha dedicado a los estudios e investigaciones sobre la crisis de la ciudad, la vida cotidiana urbana y los espacios escolares.