Kim combines historical contextualization with political economy of the media and critical textual analysis to investigate the socio-ideological effects of K-Pop in the existing networks of power and domination in gender relations. He examines K-Pop female idols' individualism and identity formation through the lens of Korea's cultural politics.
Kim combines historical contextualization with political economy of the media and critical textual analysis to investigate the socio-ideological effects of K-Pop in the existing networks of power and domination in gender relations. He examines K-Pop female idols' individualism and identity formation through the lens of Korea's cultural politics.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
For the Record: Lexington Studies in Rock and Popular Music
Gooyong Kim is assistant professor of communication arts at Cheyney University of Pennsylvania.
Inhaltsangabe
Foreword by Douglas Kellner Introduction Chapter 1: Popular Culture as A Strategic Field of Neoliberal Intervention: Developmentalism, Neoliberal Social Policy, and Governmentality in Post-IMF Korean Popular Music Industry Chapter 2: K-pop Idol Girl Groups as Cultural Genre of Neoliberalism: Patriarchy, Developmentalism, and Structure of Feeling/ Experience in K-pop Chapter 3: Between Hybridity and Hegemony in K-Pop's Global Popularity: A Case of Girls' Generation's American Debut Chapter 4: Genealogy and Affective Economy of K-pop Female Idols: From Cute and Innocent to Ambiguous Femininity, to Explicit Sexualization Chapter 5: Elusive Subjectivity of K-pop Female Idols: Split-personality, Narcissism, and Neo-Confucian Body Techniques in Suzy of MissA Chapter 6: Resilience, Positive Psychology, and Subjectivity in K-pop Female Idols: Evolution of Girls' Generation from "Into the New World" (2007) to "All Night" (2017) Chapter 7: The 90s, the Most Stunning Days of Our Lives: Cultural Politics of Retro K-pop Music, Nostalgia, and Positive Psychology in Contemporary Korea Conclusion
Foreword by Douglas Kellner Introduction Chapter 1: Popular Culture as A Strategic Field of Neoliberal Intervention: Developmentalism, Neoliberal Social Policy, and Governmentality in Post-IMF Korean Popular Music Industry Chapter 2: K-pop Idol Girl Groups as Cultural Genre of Neoliberalism: Patriarchy, Developmentalism, and Structure of Feeling/ Experience in K-pop Chapter 3: Between Hybridity and Hegemony in K-Pop's Global Popularity: A Case of Girls' Generation's American Debut Chapter 4: Genealogy and Affective Economy of K-pop Female Idols: From Cute and Innocent to Ambiguous Femininity, to Explicit Sexualization Chapter 5: Elusive Subjectivity of K-pop Female Idols: Split-personality, Narcissism, and Neo-Confucian Body Techniques in Suzy of MissA Chapter 6: Resilience, Positive Psychology, and Subjectivity in K-pop Female Idols: Evolution of Girls' Generation from "Into the New World" (2007) to "All Night" (2017) Chapter 7: The 90s, the Most Stunning Days of Our Lives: Cultural Politics of Retro K-pop Music, Nostalgia, and Positive Psychology in Contemporary Korea Conclusion
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