Shillingsburg explores the new and future possibilities, some yet untapped, for electronic representations of printed works.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Peter L. Shillingsburg is Professor of English at De Montfort University, Leicester, UK.
Inhaltsangabe
Preface 1. Manuscript, book, and text in the twenty-first century 2. Complexity, endurance, accessibility, beauty, sophistication, and scholarship 3. Script act theory 4. An electronic infrastructure for script acts 5. Victorian fiction: shapes shaping reading 6. The dank cellar of electronic texts 7. Negotiating conflicting aims in textual scholarship 8. Hagiolatry, cultural engineering, monument building, and other functions of scholarly editing 9. The aesthetic object: 'the subject of our mirth' 10. Ignorance in literary studies Bibliography.
Preface; 1. Manuscript, book, and text in the twenty-first century; 2. Complexity, endurance, accessibility, beauty, sophistication, and scholarship; 3. Script act theory; 4. An electronic infrastructure for script acts; 5. Victorian fiction: shapes shaping reading; 6. The dank cellar of electronic texts; 7. Negotiating conflicting aims in textual scholarship; 8. Hagiolatry, cultural engineering, monument building, and other functions of scholarly editing; 9. The aesthetic object: 'the subject of our mirth'; 10. Ignorance in literary studies; Bibliography.
Preface 1. Manuscript, book, and text in the twenty-first century 2. Complexity, endurance, accessibility, beauty, sophistication, and scholarship 3. Script act theory 4. An electronic infrastructure for script acts 5. Victorian fiction: shapes shaping reading 6. The dank cellar of electronic texts 7. Negotiating conflicting aims in textual scholarship 8. Hagiolatry, cultural engineering, monument building, and other functions of scholarly editing 9. The aesthetic object: 'the subject of our mirth' 10. Ignorance in literary studies Bibliography.
Preface; 1. Manuscript, book, and text in the twenty-first century; 2. Complexity, endurance, accessibility, beauty, sophistication, and scholarship; 3. Script act theory; 4. An electronic infrastructure for script acts; 5. Victorian fiction: shapes shaping reading; 6. The dank cellar of electronic texts; 7. Negotiating conflicting aims in textual scholarship; 8. Hagiolatry, cultural engineering, monument building, and other functions of scholarly editing; 9. The aesthetic object: 'the subject of our mirth'; 10. Ignorance in literary studies; Bibliography.
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