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This work constitutes an approach to the literature-cinematography relationship, which establishes a sort of "love-hate" link between both artistic branches throughout their history. The approach of this study, based on the universality of the story (a category to which both the novel and the cinema belong), allows us to analyze the analogies, convergences and divergences between the literary and the filmic narrator in the work of a prolific writer - Bioy Casares - whose written work has usually been a target of film adaptations, as is the case with "El sueño de los héroes", the work chosen for this study.…mehr

Produktbeschreibung
This work constitutes an approach to the literature-cinematography relationship, which establishes a sort of "love-hate" link between both artistic branches throughout their history. The approach of this study, based on the universality of the story (a category to which both the novel and the cinema belong), allows us to analyze the analogies, convergences and divergences between the literary and the filmic narrator in the work of a prolific writer - Bioy Casares - whose written work has usually been a target of film adaptations, as is the case with "El sueño de los héroes", the work chosen for this study.
Autorenporträt
Christian Rodrigo Martínez Bastidas. Quito, Ecuador, 1994. He studied at the Universidad Central del Ecuador, obtaining a degree in Language and Literature Sciences. His work has not been published before, except for an internal linguistic research for the Language Department of the UCE.