From Modernism to Postmodernism
Between Universal and Local
Herausgegeben:Pompe, Gregor; Bogunovic Hocevar, Katarina; Sukljan, Nejc
From Modernism to Postmodernism
Between Universal and Local
Herausgegeben:Pompe, Gregor; Bogunovic Hocevar, Katarina; Sukljan, Nejc
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
The book explores two radical changes of cultural and social paradigm that determined the World after 1945 - Modernism and Postmodernism. From the cataclysmic atmosphere emerged the second wave of Modernism. In art this attitude was manifested in the form of a radical break with the aesthetic and stylistic characteristics of prior generations. In architecture the International Style was born, meanwhile similar «universality» was also a characteristic of musical serialism.
From the beginning of the 1970s the wheels again began to turn in the other direction. The powerful destructive will of…mehr
- Maciej GolabMusical Modernism in the Twentieth Century67,75 €
- Aspekte der Musik, Kunst und Religion zur Zeit der Tschechischen Moderne- Aspects of Music, Arts and Religion during the Period of Czech Modernism106,85 €
- A Fresco122,00 €
- Boguslaw RabaBetween Romanticism and Modernism83,00 €
- Elzbieta SzczurkoAntoni Sza¿owski108,45 €
- Constantin FlorosMusic as Message80,20 €
- Sanna IittiThe Feminine in German Song97,20 €
-
-
-
From the beginning of the 1970s the wheels again began to turn in the other direction. The powerful destructive will of modernism increasingly waivered, and the period after modernism - postmodernism - began. The book answers questions related to the reasons for these turnarounds, their consequences and their implications.
- Produktdetails
- Verlag: Peter Lang
- Artikelnr. des Verlages: 267144
- Seitenzahl: 402
- Erscheinungstermin: 10. August 2016
- Englisch
- Abmessung: 216mm x 153mm x 27mm
- Gewicht: 610g
- ISBN-13: 9783631671443
- ISBN-10: 363167144X
- Artikelnr.: 45592681
- Verlag: Peter Lang
- Artikelnr. des Verlages: 267144
- Seitenzahl: 402
- Erscheinungstermin: 10. August 2016
- Englisch
- Abmessung: 216mm x 153mm x 27mm
- Gewicht: 610g
- ISBN-13: 9783631671443
- ISBN-10: 363167144X
- Artikelnr.: 45592681
Theoretical Basis
Gregor Pompe
Postmodernism in Society and Art: An Overview ................................................17
Helmut Loos
Modernity - Postmodernity. Controversial Core Structures
of Musical Thinking ...................................................................................................33
Petra Ceferin
The Creative Practice (of Architecture): Insisting on the In-Between ................43
Niksa Gligo
Globalization and/or Pluralism: But What about Musics, Their Styles,
Techniques and Musicology? ....................................................................................55
From Modernism ...
Grazina Daunoravicien
Mikalojus Konstantinas Ciurlionis' (1875-911) Musical Works as
an Example of European Modernism in its Early Stages ......................................71
Manuel Farolfi
Modernism at Work in Pierre Boulez's Writings, 1948-952 ........................... 107
Hei Yeung John Lai
Rethinking Form: A Structural Analysis of Constellation-Miroir,
Formant 3 of Boulez's Third Piano Sonata ........................................................... 127
Ka-man Choi
Textual Permutation in Mauricio Kagel's Anagrama (1957-958):
New Modes of Serial Thought ............................................................................... 153
6 Contents
Cristina Scuderi
Contemporary Opera and Musical Theatre on Italian Stages Between the
Second Postwar Period and the End of the 1960s: Notes for an Overview ..... 165
...to Postmodernism
Juija Jonae
From Modernism to Postmodernism: The Modulation and
Correlation between Two Styles in the Context of
Musical Works by Sacred Minimalists .................................................................. 177
Moeko Hayashi
Modernism, Postmodernism and Globalism: Takemitsu, November Steps ..... 193
Gregor Pompe
Bernd Alois Zimmermann's Requiem fur einen jungen Dichter and
Leonard Bernstein's Mass: European and American postmodernism, or
pluralism vs. eclecticism ......................................................................................... 207
Jana Majerova
Musical Quotation as a Fundamental Way for Expressing a
Message in the Work of Alfred Schnittke ............................................................. 231
Simone Heilgendorff
Wien Modern, Festival d'Automne a Paris, and Warsaw Autumn
after the Year 2000 in a Comparative Perspective: European or
National Forums for Contemporary Art Music and Culture? .......................... 253
Alessandro Miani
A Language-Based Approach to Music and Intertextuality ............................... 267
Milena Bozhikova
Contemporary Music between History and Eschatology .................................. 279
Postmodernism in Eastern Europe
Jais Kudi sP eris Vasks as Neo-Romantic: Characteristic Style Signs of
Latvian Composer Symphonic Music in the Context of Postmodern
Culture and Art ........................................................................................................ 303
Kamil Rupeikait
The Semantics of the Music of Anatolijus Senderovas ....................................... 327
Joanna Schiller-Rydzewska
Different Faces of Postmodernism in the Works of Contemporary
Composers of the Gdansk Milieu ......................................................................... 337
Tatiana Pirnikova
The Way from Modernist Positions to the Intimate Lyrical Position
of the Composer Oto Ferenczy .............................................................................. 353
Niall O'Loughlin
Lojze Lebic: Modernism and the Vernacular ...................................................... 361
Ira Prodanov Krajisnik
Opera Mileva by Aleksandra Vrebalov: A Tale of Woman's Otherness ........... 377
Theoretical Basis
Gregor Pompe
Postmodernism in Society and Art: An Overview ................................................17
Helmut Loos
Modernity - Postmodernity. Controversial Core Structures
of Musical Thinking ...................................................................................................33
Petra Ceferin
The Creative Practice (of Architecture): Insisting on the In-Between ................43
Niksa Gligo
Globalization and/or Pluralism: But What about Musics, Their Styles,
Techniques and Musicology? ....................................................................................55
From Modernism ...
Grazina Daunoravicien
Mikalojus Konstantinas Ciurlionis' (1875-911) Musical Works as
an Example of European Modernism in its Early Stages ......................................71
Manuel Farolfi
Modernism at Work in Pierre Boulez's Writings, 1948-952 ........................... 107
Hei Yeung John Lai
Rethinking Form: A Structural Analysis of Constellation-Miroir,
Formant 3 of Boulez's Third Piano Sonata ........................................................... 127
Ka-man Choi
Textual Permutation in Mauricio Kagel's Anagrama (1957-958):
New Modes of Serial Thought ............................................................................... 153
6 Contents
Cristina Scuderi
Contemporary Opera and Musical Theatre on Italian Stages Between the
Second Postwar Period and the End of the 1960s: Notes for an Overview ..... 165
...to Postmodernism
Juija Jonae
From Modernism to Postmodernism: The Modulation and
Correlation between Two Styles in the Context of
Musical Works by Sacred Minimalists .................................................................. 177
Moeko Hayashi
Modernism, Postmodernism and Globalism: Takemitsu, November Steps ..... 193
Gregor Pompe
Bernd Alois Zimmermann's Requiem fur einen jungen Dichter and
Leonard Bernstein's Mass: European and American postmodernism, or
pluralism vs. eclecticism ......................................................................................... 207
Jana Majerova
Musical Quotation as a Fundamental Way for Expressing a
Message in the Work of Alfred Schnittke ............................................................. 231
Simone Heilgendorff
Wien Modern, Festival d'Automne a Paris, and Warsaw Autumn
after the Year 2000 in a Comparative Perspective: European or
National Forums for Contemporary Art Music and Culture? .......................... 253
Alessandro Miani
A Language-Based Approach to Music and Intertextuality ............................... 267
Milena Bozhikova
Contemporary Music between History and Eschatology .................................. 279
Postmodernism in Eastern Europe
Jais Kudi sP eris Vasks as Neo-Romantic: Characteristic Style Signs of
Latvian Composer Symphonic Music in the Context of Postmodern
Culture and Art ........................................................................................................ 303
Kamil Rupeikait
The Semantics of the Music of Anatolijus Senderovas ....................................... 327
Joanna Schiller-Rydzewska
Different Faces of Postmodernism in the Works of Contemporary
Composers of the Gdansk Milieu ......................................................................... 337
Tatiana Pirnikova
The Way from Modernist Positions to the Intimate Lyrical Position
of the Composer Oto Ferenczy .............................................................................. 353
Niall O'Loughlin
Lojze Lebic: Modernism and the Vernacular ...................................................... 361
Ira Prodanov Krajisnik
Opera Mileva by Aleksandra Vrebalov: A Tale of Woman's Otherness ........... 377