This book explores how the myth of Narcissus, which is at once about self-love and self-destruction, desire and death, beauty and pain, became an ambivalent symbol of humanistic endeavour, and articulated the conflicts of early modern authorship.
This book explores how the myth of Narcissus, which is at once about self-love and self-destruction, desire and death, beauty and pain, became an ambivalent symbol of humanistic endeavour, and articulated the conflicts of early modern authorship.
Anthony Archdeacon teaches at Khalifa University, Abu Dhabi, UAE. He is interested in early modern poetry, drama, ideas and culture.
Inhaltsangabe
Chapter 1 Introduction Chapter 2 The poetics of personal nothingness Chapter 3 The Narcissus myth and English Petrarchism Chapter 4 Negation and self-negation in amatory verse Chapter 5 The glorious nothingness of authorship Chapter 6 Social and political contexts
Chapter 1 Introduction Chapter 2 The poetics of personal nothingness Chapter 3 The Narcissus myth and English Petrarchism Chapter 4 Negation and self-negation in amatory verse Chapter 5 The glorious nothingness of authorship Chapter 6 Social and political contexts
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