Examines how Renaissance dramatists made the difficult transition from playwrights to published authors.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of illustrations Preface Acknowledgements Prologue 'Thou grewst to govern the whole Stage alone': dramas of authorship in early modern England 1. 'A toy brought to the Presse': marketing printed drama in early modern London 2. 'So disfigured with scrapings & blotting out': Sir John Oldcastle and the construction of Shakespeare's authorship 3. 'If he be at his book, disturb him not': the two Jonson folios of 1616 4. 'What strange Production is at last displaid': dramatic authorship and the dilemma of collaboration 5. 'So wronged in beeing publisht': Thomas Heywood and the discourse of perilous publication Epilogue 'Why not Malevole in folio with vs': the after-birth of the author Notes Bibliography Index.
List of illustrations Preface Acknowledgements Prologue 'Thou grewst to govern the whole Stage alone': dramas of authorship in early modern England 1. 'A toy brought to the Presse': marketing printed drama in early modern London 2. 'So disfigured with scrapings & blotting out': Sir John Oldcastle and the construction of Shakespeare's authorship 3. 'If he be at his book, disturb him not': the two Jonson folios of 1616 4. 'What strange Production is at last displaid': dramatic authorship and the dilemma of collaboration 5. 'So wronged in beeing publisht': Thomas Heywood and the discourse of perilous publication Epilogue 'Why not Malevole in folio with vs': the after-birth of the author Notes Bibliography Index.
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