This book reconsiders the evidence for what we know (or think we know) about early modern performance condition.This exploration will be of great interest to theatre and performance researchers, graduate students, teachers of early modern drama at the undergraduate and graduate levels, performers, directors, editors.
This book reconsiders the evidence for what we know (or think we know) about early modern performance condition.This exploration will be of great interest to theatre and performance researchers, graduate students, teachers of early modern drama at the undergraduate and graduate levels, performers, directors, editors.
Leslie Thomson, professor Emeritus of English at the University of Toronto, has published widely on various aspects of early modern stage directions and staging. She is co-author (with Alan C. Dessen) of A Dictionary of Stage Directions in English Drama, 1580-1642 and editor of Anything for a Quiet Life, in The Collected Works of Thomas Middleton. Her book, Discoveries on the Early Modern Stage: Contexts and Conventions, was published in 2018.
Inhaltsangabe
Introduction Part I: Pre-Performance Chapter 1: Evidence and Theories Chapter 2: Rehearsal Reconsidered Part II: In-Performance Chapter 3: Pronouns in Action Chapter 4: Uncued Actions Chapter 5: Staging Asides Chapter 6: Dumb Shows on Stage Chapter 7: Doubling and Disguise Chapter 8: Large Properties Off and On Stage Conclusion Index
Introduction Part I: Pre-Performance Chapter 1: Evidence and Theories Chapter 2: Rehearsal Reconsidered Part II: In-Performance Chapter 3: Pronouns in Action Chapter 4: Uncued Actions Chapter 5: Staging Asides Chapter 6: Dumb Shows on Stage Chapter 7: Doubling and Disguise Chapter 8: Large Properties Off and On Stage Conclusion Index
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