This book deals with the production of knowledge about music and the related institution-building process in south India. It also examines the role of identity, imagination, nationalism, and patronage in the development of musical tradition in south India.
This book deals with the production of knowledge about music and the related institution-building process in south India. It also examines the role of identity, imagination, nationalism, and patronage in the development of musical tradition in south India.
Lakshmi Subramanian is Coordinator, Indian Ocean Studies Programme, Jamia Millia Islamia, New Delhi, and was formerly Senior Fellow in History at the Centre for Studies in Social Sciences, Kolkata.
Inhaltsangabe
* Preface and Acknowledgements List of Illustrations Introduction Chapter 1. Music Comes to the City Chapter 2. Defining the Classical: The Nationalist Imperative Chapter 3. Consolidating the Classical: The Madras Music Academy and the Politics of Custodianship Chapter 4. On the Margins of the Classical: Law, Social Reform, and the Devadasis in the Madras Presidency Chapter 5. Contesting the Classical: The Tamil Isai Iyakkam and the Contest for Custodianship Epilogue Bibliography Index.
* Preface and Acknowledgements List of Illustrations Introduction Chapter 1. Music Comes to the City Chapter 2. Defining the Classical: The Nationalist Imperative Chapter 3. Consolidating the Classical: The Madras Music Academy and the Politics of Custodianship Chapter 4. On the Margins of the Classical: Law, Social Reform, and the Devadasis in the Madras Presidency Chapter 5. Contesting the Classical: The Tamil Isai Iyakkam and the Contest for Custodianship Epilogue Bibliography Index.
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