Funny Business - Cassady, Marsh
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For big laughs, comedy relies on exaggeration, incongruity, automatism, character inconsistency, surprise, and derision. Finally, here's a book that defines and demonstrates each of these devices with twenty-two short sketches and one-act plays. This unique overview of high and low comedy defines all comedy genres: absurdism, tragicomedy, farce, and melodrama. A discussion precedes each type of comedy illustrated, explaining the comic devices used. The reader will find many insights along the way about how to write and perform each comedy style successfully. The wide variety of scripted comedy…mehr

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Produktbeschreibung
For big laughs, comedy relies on exaggeration, incongruity, automatism, character inconsistency, surprise, and derision. Finally, here's a book that defines and demonstrates each of these devices with twenty-two short sketches and one-act plays. This unique overview of high and low comedy defines all comedy genres: absurdism, tragicomedy, farce, and melodrama. A discussion precedes each type of comedy illustrated, explaining the comic devices used. The reader will find many insights along the way about how to write and perform each comedy style successfully. The wide variety of scripted comedy material in this book makes it ideal for those who are teaching, practicing their acting, or rehearsing for actual performances. All characterizations are appropriate for student actors in their teens or twenties. Another fine, unique text from Marsh Cassady, this is a wonderful resource for all theatrical libraries. (336 pages, 5¿ x 8¿, paperback)
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Autorenporträt
Marsh Cassady has written more than forty books including novels, short story and drama collections, haiku, biography, and books on theatre and storytelling. His audio and stage plays have been widely performed (including off-Broadway), and he has written and recorded a three-set audio tape on storytelling. A former actor/director and university professor with a Ph.D. degree in theatre, Cassady has worked with more than a hundred productions. Since 1981, he has conducted an all-genre writing workshop in San Diego and has taught various creative writing classes at UCSD and elsewhere. While teaching at Montclair State in the 1970s, he started a program of workshops, classes and special projects in playwriting. His own writing has won numerous regional and national awards.