Future Folk Horror: Contemporary Anxieties and Possible Futures analyzes recent novels and films, to show that folk horror as a genre uniquely captures the anxieties of the twenty-first century and imagines visions of possible futures.
Future Folk Horror: Contemporary Anxieties and Possible Futures analyzes recent novels and films, to show that folk horror as a genre uniquely captures the anxieties of the twenty-first century and imagines visions of possible futures.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by Simon Bacon - Foreword by Dawn Keetley - Contributions by M. Keith Booker; Vicky Brewster; Stephen Butler; Garret L. Castleberry; Lauryn E. Collins; Stephanie Ellis; Tracy Fahey; Gemma Files; Phil Fitzsimmons; Sandra García Gutiérrez; Danielle G
Inhaltsangabe
Section One: Framing the Past to Make the Present Chapter 1: "Buried": Folk Horror as Retrieval Tracy Fahey Part I: The Folklore of British Folk Horror Chapter 2. Secret Powers of Attraction: Folk Horror in its Cultural Context Howard David Ingham Chapter 3. A Battlefield in England: Folk Horror and War Jimmy Packham Chapter 4. Live Horror Theatre, Nostalgia and Folklore David Norris Chapter 5. Frayed Strands Entwined: Considering 21st Century Folk Horror James Rose Part II: America, Settlers, And Belonging Chapter 6. Palimpsests and Other Texts: Christianity and Pre-Modern Religions in Folk Horror Brandon R. Grafius Chapter 7. "There's some weird shit going on in the woods": Landscape, Cults, and Folklore in the Films of Chad Crawford Kinkle and Andy Mitton Paul A. J. Lewis Chapter 8. Fae Fight Back: Monstrous Mycelium and post-Colonial Gothic in The Hallow Kit Hawkins Section Two: Facing Backward Whilst Looking Forward Part III: Cultural Positionings Chapter 9. Early American Colonial Violence and Folk Horror: Wrong Turn, a 21st Century Interpretation Connor McAleese Chapter 10. Wendigo Tales: Climate Gothic and Indigenous Resistance in Waubgeshig Rice's Moon of the Crusted Snow Lauryn E. Collins Chapter 11. A Locus of the Old and New in Australian Folk Horror Cinema: The Transnational, Transcultural and Transtextual Narratives in The Witches of Blackwood Phil Fitzsimmons Chapter 12. A Multi-contextual Analysis of the Future of Folk Horror in Guillermo del Toro's Pan's Labyrinth Jon R. Meyers Chapter 13. Who Makes the Hood?: The City, Community, and Contemporary Folk Horror in Nia DaCosta's Candyman Kingsley Marshall Part IV: Identity Chapter 14. Non-normativity in Female Centered Folk Horror Literature Stephanie Ellis Chapter 15. (In)Visible Women: Folk Horror in the Spanish Anthology of Fairy Tales Ni Aqui ni en Ningún Otro Lugar (2021) by Patricia Esteban Erlés Sandra Garcia Gutiérrez Chapter 16. Speculative Folk Horror and Reclaiming Monsters in Cherríe Moraga's The Hungry Woman Danielle Garcia-Karr Chapter 17. "I wish, please, to live": Religion and Rewilding in Michel Faber's Ecohorror Vicky Brewster Part V: Intersections and Futures Chapter 18. "Nigh is the time of Madness and Disdain" Folk Horror in The Witcher 3: The Wild Hunt Stephen Butler Chapter 19. A Horror Film for Our Times: Annihilation as Weird Folk Eco-Horror M. Keith Booker Chapter 20. Future Shock Folk Horror in Terry Gilliam's "The Zero Theorem" Garrett Castleberry Chapter 21. Folk Horror in Inside No. 9: "Mr King" and Contending Eco-narratives Reece Goodall
Section One: Framing the Past to Make the Present Chapter 1: "Buried": Folk Horror as Retrieval Tracy Fahey Part I: The Folklore of British Folk Horror Chapter 2. Secret Powers of Attraction: Folk Horror in its Cultural Context Howard David Ingham Chapter 3. A Battlefield in England: Folk Horror and War Jimmy Packham Chapter 4. Live Horror Theatre, Nostalgia and Folklore David Norris Chapter 5. Frayed Strands Entwined: Considering 21st Century Folk Horror James Rose Part II: America, Settlers, And Belonging Chapter 6. Palimpsests and Other Texts: Christianity and Pre-Modern Religions in Folk Horror Brandon R. Grafius Chapter 7. "There's some weird shit going on in the woods": Landscape, Cults, and Folklore in the Films of Chad Crawford Kinkle and Andy Mitton Paul A. J. Lewis Chapter 8. Fae Fight Back: Monstrous Mycelium and post-Colonial Gothic in The Hallow Kit Hawkins Section Two: Facing Backward Whilst Looking Forward Part III: Cultural Positionings Chapter 9. Early American Colonial Violence and Folk Horror: Wrong Turn, a 21st Century Interpretation Connor McAleese Chapter 10. Wendigo Tales: Climate Gothic and Indigenous Resistance in Waubgeshig Rice's Moon of the Crusted Snow Lauryn E. Collins Chapter 11. A Locus of the Old and New in Australian Folk Horror Cinema: The Transnational, Transcultural and Transtextual Narratives in The Witches of Blackwood Phil Fitzsimmons Chapter 12. A Multi-contextual Analysis of the Future of Folk Horror in Guillermo del Toro's Pan's Labyrinth Jon R. Meyers Chapter 13. Who Makes the Hood?: The City, Community, and Contemporary Folk Horror in Nia DaCosta's Candyman Kingsley Marshall Part IV: Identity Chapter 14. Non-normativity in Female Centered Folk Horror Literature Stephanie Ellis Chapter 15. (In)Visible Women: Folk Horror in the Spanish Anthology of Fairy Tales Ni Aqui ni en Ningún Otro Lugar (2021) by Patricia Esteban Erlés Sandra Garcia Gutiérrez Chapter 16. Speculative Folk Horror and Reclaiming Monsters in Cherríe Moraga's The Hungry Woman Danielle Garcia-Karr Chapter 17. "I wish, please, to live": Religion and Rewilding in Michel Faber's Ecohorror Vicky Brewster Part V: Intersections and Futures Chapter 18. "Nigh is the time of Madness and Disdain" Folk Horror in The Witcher 3: The Wild Hunt Stephen Butler Chapter 19. A Horror Film for Our Times: Annihilation as Weird Folk Eco-Horror M. Keith Booker Chapter 20. Future Shock Folk Horror in Terry Gilliam's "The Zero Theorem" Garrett Castleberry Chapter 21. Folk Horror in Inside No. 9: "Mr King" and Contending Eco-narratives Reece Goodall
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