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Erscheint vorauss. 7. Januar 2025
  • Broschiertes Buch

"In this indispensable collection, digital humanities practitioners and scholars work with a wide range of archival materials to confront key challenges surrounding the adaptation and sustainability of digital editorial projects and their societal impact. From addressing outdated technical infrastructures to fostering new collaborations, Futures of Digital Scholarly Editing serves as a guide through the complexities of digital editing in an era of profound technological and societal transformation"--

Produktbeschreibung
"In this indispensable collection, digital humanities practitioners and scholars work with a wide range of archival materials to confront key challenges surrounding the adaptation and sustainability of digital editorial projects and their societal impact. From addressing outdated technical infrastructures to fostering new collaborations, Futures of Digital Scholarly Editing serves as a guide through the complexities of digital editing in an era of profound technological and societal transformation"--
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Autorenporträt
Matt Cohen is professor of English at the University of Nebraska–Lincoln and codirector of the Walt Whitman Archive. He is editor of The New Walt Whitman Studies and author of The Silence of the Miskito Prince: How Cultural Dialogue Was Colonized (Minnesota, 2022). Kenneth M. Price is professor of English at the University of Nebraska–Lincoln and codirector of the Walt Whitman Archive. He is author and editor of several books, including Whitman in Washington: Becoming the National Poet in the Federal City and The Oxford Handbook of Walt Whitman. Caterina Bernardini is lecturer in the English Department at the University of Nebraska–Lincoln and contributing editor for the Walt Whitman Archive. She is author of Transnational Modernity and the Italian Reinvention of Walt Whitman, 1870–1945.