Gained Ground
Perspectives on Canadian and Comparative North American Studies
Herausgeber: Gruber, Eva; Rosenthal, Caroline
Gained Ground
Perspectives on Canadian and Comparative North American Studies
Herausgeber: Gruber, Eva; Rosenthal, Caroline
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Compares the cultural productions of Canada and the US - literature, but also film, opera, and even theme parks - providing a reassessment of Canadian Studies within a comparative framework.
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Compares the cultural productions of Canada and the US - literature, but also film, opera, and even theme parks - providing a reassessment of Canadian Studies within a comparative framework.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- Seitenzahl: 252
- Erscheinungstermin: 31. Oktober 2018
- Englisch
- Abmessung: 231mm x 152mm x 23mm
- Gewicht: 458g
- ISBN-13: 9781571134240
- ISBN-10: 1571134247
- Artikelnr.: 53019370
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Boydell & Brewer
- Seitenzahl: 252
- Erscheinungstermin: 31. Oktober 2018
- Englisch
- Abmessung: 231mm x 152mm x 23mm
- Gewicht: 458g
- ISBN-13: 9781571134240
- ISBN-10: 1571134247
- Artikelnr.: 53019370
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Eva Gruber, Caroline Rosenthal
Introduction - Eva Gruber and Caroline Rosenthal PART I. THE GENESIS OF
CANADIAN AND COMPARATIVE NORTH AMERICAN STUDIES Mapping North America:
Comparative North American Literature and Its Contexts - Bettina Mack The
Scottish Invention of Canadian Literature? John Buchan in Canada - Silvia
Mergenthal PART II. COMPARATIVE NORTH AMERICAN STUDIES: LITERARY CASE
STUDIES "Poetics of the Potent": Yann Martel's Life of Pi, Edgar Allan
Poe's The Narrative of Arthur Gordon Pym of Nantucket, and Modes of
Transcreation - Jutta Ernst "Wanting to Light out for Tender Tenantless
Territories": Reading Landscape in Robert Kroetsch's The Hornbooks of Rita
K (2001) and Mark Anthony Jarman's 19 Knives (2000) - Claire Omhovère
"Landscape-of-the-Heart": Transgenerational Memory and Relationality in Roy
Kiyooka's Mothertalk: Life Stories of Mary Kiyoshi Kiyooka - Katja
Sarkowsky Performing Shame: Theatrical Motifs in the Works of Alice Munro
and Alison Bechdel - Marlene Goldman Timothy Findley's "Stones": Names,
Symbols, and Stories - Sherrill Grace PART III. COMPARATIVE NORTH AMERICAN
STUDIES BEYOND PRINT Comparative North American Opera: Individualism and
National Identity - Linda Hutcheon and Michael Hutcheon "Who Really Lives
There?": (Meta-)Tourism and the Canada Pavilion at Epcot - Florian Freitag
Contact Prints: Reading Margaret Atwood's The Door and the MaddAddam
Trilogy through the Lens of Photography - Julia Breitbach Cup-idity, or
Poetic Larceny in Transatlantic Contexts: Margaret Atwood's "Stealing the
Hummingbird Cup" - Shuli Barzilai PART IV. CODA: REINGARD NISCHIK AND
TRANSATLANTIC CANADIAN CRITICISM Across the "Ocean of the Page": Nischik
and Kroetsch Gaining Ground - Aritha van Herk Reingard, Queen of the Night
- Margaret Atwood Photo Log: 30 Years of Working in Canadian Criticism in
Pictures
CANADIAN AND COMPARATIVE NORTH AMERICAN STUDIES Mapping North America:
Comparative North American Literature and Its Contexts - Bettina Mack The
Scottish Invention of Canadian Literature? John Buchan in Canada - Silvia
Mergenthal PART II. COMPARATIVE NORTH AMERICAN STUDIES: LITERARY CASE
STUDIES "Poetics of the Potent": Yann Martel's Life of Pi, Edgar Allan
Poe's The Narrative of Arthur Gordon Pym of Nantucket, and Modes of
Transcreation - Jutta Ernst "Wanting to Light out for Tender Tenantless
Territories": Reading Landscape in Robert Kroetsch's The Hornbooks of Rita
K (2001) and Mark Anthony Jarman's 19 Knives (2000) - Claire Omhovère
"Landscape-of-the-Heart": Transgenerational Memory and Relationality in Roy
Kiyooka's Mothertalk: Life Stories of Mary Kiyoshi Kiyooka - Katja
Sarkowsky Performing Shame: Theatrical Motifs in the Works of Alice Munro
and Alison Bechdel - Marlene Goldman Timothy Findley's "Stones": Names,
Symbols, and Stories - Sherrill Grace PART III. COMPARATIVE NORTH AMERICAN
STUDIES BEYOND PRINT Comparative North American Opera: Individualism and
National Identity - Linda Hutcheon and Michael Hutcheon "Who Really Lives
There?": (Meta-)Tourism and the Canada Pavilion at Epcot - Florian Freitag
Contact Prints: Reading Margaret Atwood's The Door and the MaddAddam
Trilogy through the Lens of Photography - Julia Breitbach Cup-idity, or
Poetic Larceny in Transatlantic Contexts: Margaret Atwood's "Stealing the
Hummingbird Cup" - Shuli Barzilai PART IV. CODA: REINGARD NISCHIK AND
TRANSATLANTIC CANADIAN CRITICISM Across the "Ocean of the Page": Nischik
and Kroetsch Gaining Ground - Aritha van Herk Reingard, Queen of the Night
- Margaret Atwood Photo Log: 30 Years of Working in Canadian Criticism in
Pictures
Introduction - Eva Gruber and Caroline Rosenthal PART I. THE GENESIS OF
CANADIAN AND COMPARATIVE NORTH AMERICAN STUDIES Mapping North America:
Comparative North American Literature and Its Contexts - Bettina Mack The
Scottish Invention of Canadian Literature? John Buchan in Canada - Silvia
Mergenthal PART II. COMPARATIVE NORTH AMERICAN STUDIES: LITERARY CASE
STUDIES "Poetics of the Potent": Yann Martel's Life of Pi, Edgar Allan
Poe's The Narrative of Arthur Gordon Pym of Nantucket, and Modes of
Transcreation - Jutta Ernst "Wanting to Light out for Tender Tenantless
Territories": Reading Landscape in Robert Kroetsch's The Hornbooks of Rita
K (2001) and Mark Anthony Jarman's 19 Knives (2000) - Claire Omhovère
"Landscape-of-the-Heart": Transgenerational Memory and Relationality in Roy
Kiyooka's Mothertalk: Life Stories of Mary Kiyoshi Kiyooka - Katja
Sarkowsky Performing Shame: Theatrical Motifs in the Works of Alice Munro
and Alison Bechdel - Marlene Goldman Timothy Findley's "Stones": Names,
Symbols, and Stories - Sherrill Grace PART III. COMPARATIVE NORTH AMERICAN
STUDIES BEYOND PRINT Comparative North American Opera: Individualism and
National Identity - Linda Hutcheon and Michael Hutcheon "Who Really Lives
There?": (Meta-)Tourism and the Canada Pavilion at Epcot - Florian Freitag
Contact Prints: Reading Margaret Atwood's The Door and the MaddAddam
Trilogy through the Lens of Photography - Julia Breitbach Cup-idity, or
Poetic Larceny in Transatlantic Contexts: Margaret Atwood's "Stealing the
Hummingbird Cup" - Shuli Barzilai PART IV. CODA: REINGARD NISCHIK AND
TRANSATLANTIC CANADIAN CRITICISM Across the "Ocean of the Page": Nischik
and Kroetsch Gaining Ground - Aritha van Herk Reingard, Queen of the Night
- Margaret Atwood Photo Log: 30 Years of Working in Canadian Criticism in
Pictures
CANADIAN AND COMPARATIVE NORTH AMERICAN STUDIES Mapping North America:
Comparative North American Literature and Its Contexts - Bettina Mack The
Scottish Invention of Canadian Literature? John Buchan in Canada - Silvia
Mergenthal PART II. COMPARATIVE NORTH AMERICAN STUDIES: LITERARY CASE
STUDIES "Poetics of the Potent": Yann Martel's Life of Pi, Edgar Allan
Poe's The Narrative of Arthur Gordon Pym of Nantucket, and Modes of
Transcreation - Jutta Ernst "Wanting to Light out for Tender Tenantless
Territories": Reading Landscape in Robert Kroetsch's The Hornbooks of Rita
K (2001) and Mark Anthony Jarman's 19 Knives (2000) - Claire Omhovère
"Landscape-of-the-Heart": Transgenerational Memory and Relationality in Roy
Kiyooka's Mothertalk: Life Stories of Mary Kiyoshi Kiyooka - Katja
Sarkowsky Performing Shame: Theatrical Motifs in the Works of Alice Munro
and Alison Bechdel - Marlene Goldman Timothy Findley's "Stones": Names,
Symbols, and Stories - Sherrill Grace PART III. COMPARATIVE NORTH AMERICAN
STUDIES BEYOND PRINT Comparative North American Opera: Individualism and
National Identity - Linda Hutcheon and Michael Hutcheon "Who Really Lives
There?": (Meta-)Tourism and the Canada Pavilion at Epcot - Florian Freitag
Contact Prints: Reading Margaret Atwood's The Door and the MaddAddam
Trilogy through the Lens of Photography - Julia Breitbach Cup-idity, or
Poetic Larceny in Transatlantic Contexts: Margaret Atwood's "Stealing the
Hummingbird Cup" - Shuli Barzilai PART IV. CODA: REINGARD NISCHIK AND
TRANSATLANTIC CANADIAN CRITICISM Across the "Ocean of the Page": Nischik
and Kroetsch Gaining Ground - Aritha van Herk Reingard, Queen of the Night
- Margaret Atwood Photo Log: 30 Years of Working in Canadian Criticism in
Pictures