Galvanizing Performance
The Alexander Technique as a Catalyst for Excellence
Herausgeber: Juhl, Kathleen; Madden, Cathy
Galvanizing Performance
The Alexander Technique as a Catalyst for Excellence
Herausgeber: Juhl, Kathleen; Madden, Cathy
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An application of the teachings of the Alexander Technique to the performing arts. This collection demonstrates how deliberate movement and specific practice in theatre, music, song and dance can improve the art form, as well as the artist's wellbeing.
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An application of the teachings of the Alexander Technique to the performing arts. This collection demonstrates how deliberate movement and specific practice in theatre, music, song and dance can improve the art form, as well as the artist's wellbeing.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Jessica Kingsley Publishers
- Seitenzahl: 336
- Erscheinungstermin: 21. August 2017
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 490g
- ISBN-13: 9781785927201
- ISBN-10: 1785927205
- Artikelnr.: 47828558
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Jessica Kingsley Publishers
- Seitenzahl: 336
- Erscheinungstermin: 21. August 2017
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 490g
- ISBN-13: 9781785927201
- ISBN-10: 1785927205
- Artikelnr.: 47828558
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Edited by Cathy Madden and Kathleen Juhl
Acknowledgements. Introduction 1. Hands Last. Debi Adams
ATI Certified Teacher of the Alexander Technique at The Boston Conservatory
MA
USA. 2. Full Embodiment: The Actor's Way. Sarah Barker
Alexander Technique Teacher and Associate Professor of Acting at The University of South Carolina
USA. 3. Confident Creativity. Corinne Cassini
AmSAT
ATI and Alexander Technique Teacher at Appalachian State University
Boone NC
and Angers
France. 4. Engaging the Expert Performer: Affinity as Pathway. Kate Conklin
Soprano
Teacher of the Alexander Technique and Fulbright Scholar. 5. A Mirror
a Mask and an Actor. Julianne Eveleigh
MA in Alexander Technique and Voice
Lecturer in Voice at the Arts Academy at Federation University
Australia; Paul Hampton
Actor
Director and Lecturer in Acting at Federation University
Australia. 6. To Learn or to Un-learn - That is the Question: Collegiate Performers and Endgaining. Harvey Thurmer
Violinist and Associate Professor of Violin at Miami University
FL
USA; Julia Guichard is a Certified Teacher of the Alexander Technique and Associate Professor and Chair of Theatre at Miami University in Oxford
OH
USA. 7. Alexander Technique Interventions for Stage Fright: An Interview with Michael Frederick
Founding Director of the International Congresses on the Alexander Technique and Teacher of the Alexander Technique at the Alexander Technique Institute in Los Angeles
USA and Elaine Williams is an Acting Teacher
Coach and Actress
and Senior Teacher at the Joanne Baron/D.W. Brown Studio in Santa Monica
CA
USA. 8. Mindful Bananas and The Alexander Technique. Kathleen Juhl
Alexander Technique Private Practice in Austin
TX
USA. 9. Glimpsing the Collaboratives. Cathy Madden
Editor. 10. Report on a Five-Day Introductory Class for the University of Washington School of Drama. Cathy Madden
Editor. 11. Metaphorically Speaking: The Singer and the Alexander Technique. Patricia O'Neill
Professor of Voice Emerita at Louisiana State University. 12. Of Testing Times and Hoped-For Miracles: The Alexander Technique and the Doubtful Musician. Robert Schubert
Lecturer in Woodwinds and the Alexander Technique at the Victorian College of the Arts and the Melbourne Conservatorium of Music. 13. Is This Dance Made of Cake? An Exploration of the Alexander Technique in Choreographic Process. Crispin Spaeth
Dancer
Choreographer
Producer
Seattle
WA
USA.
ATI Certified Teacher of the Alexander Technique at The Boston Conservatory
MA
USA. 2. Full Embodiment: The Actor's Way. Sarah Barker
Alexander Technique Teacher and Associate Professor of Acting at The University of South Carolina
USA. 3. Confident Creativity. Corinne Cassini
AmSAT
ATI and Alexander Technique Teacher at Appalachian State University
Boone NC
and Angers
France. 4. Engaging the Expert Performer: Affinity as Pathway. Kate Conklin
Soprano
Teacher of the Alexander Technique and Fulbright Scholar. 5. A Mirror
a Mask and an Actor. Julianne Eveleigh
MA in Alexander Technique and Voice
Lecturer in Voice at the Arts Academy at Federation University
Australia; Paul Hampton
Actor
Director and Lecturer in Acting at Federation University
Australia. 6. To Learn or to Un-learn - That is the Question: Collegiate Performers and Endgaining. Harvey Thurmer
Violinist and Associate Professor of Violin at Miami University
FL
USA; Julia Guichard is a Certified Teacher of the Alexander Technique and Associate Professor and Chair of Theatre at Miami University in Oxford
OH
USA. 7. Alexander Technique Interventions for Stage Fright: An Interview with Michael Frederick
Founding Director of the International Congresses on the Alexander Technique and Teacher of the Alexander Technique at the Alexander Technique Institute in Los Angeles
USA and Elaine Williams is an Acting Teacher
Coach and Actress
and Senior Teacher at the Joanne Baron/D.W. Brown Studio in Santa Monica
CA
USA. 8. Mindful Bananas and The Alexander Technique. Kathleen Juhl
Alexander Technique Private Practice in Austin
TX
USA. 9. Glimpsing the Collaboratives. Cathy Madden
Editor. 10. Report on a Five-Day Introductory Class for the University of Washington School of Drama. Cathy Madden
Editor. 11. Metaphorically Speaking: The Singer and the Alexander Technique. Patricia O'Neill
Professor of Voice Emerita at Louisiana State University. 12. Of Testing Times and Hoped-For Miracles: The Alexander Technique and the Doubtful Musician. Robert Schubert
Lecturer in Woodwinds and the Alexander Technique at the Victorian College of the Arts and the Melbourne Conservatorium of Music. 13. Is This Dance Made of Cake? An Exploration of the Alexander Technique in Choreographic Process. Crispin Spaeth
Dancer
Choreographer
Producer
Seattle
WA
USA.
Acknowledgements. Introduction 1. Hands Last. Debi Adams
ATI Certified Teacher of the Alexander Technique at The Boston Conservatory
MA
USA. 2. Full Embodiment: The Actor's Way. Sarah Barker
Alexander Technique Teacher and Associate Professor of Acting at The University of South Carolina
USA. 3. Confident Creativity. Corinne Cassini
AmSAT
ATI and Alexander Technique Teacher at Appalachian State University
Boone NC
and Angers
France. 4. Engaging the Expert Performer: Affinity as Pathway. Kate Conklin
Soprano
Teacher of the Alexander Technique and Fulbright Scholar. 5. A Mirror
a Mask and an Actor. Julianne Eveleigh
MA in Alexander Technique and Voice
Lecturer in Voice at the Arts Academy at Federation University
Australia; Paul Hampton
Actor
Director and Lecturer in Acting at Federation University
Australia. 6. To Learn or to Un-learn - That is the Question: Collegiate Performers and Endgaining. Harvey Thurmer
Violinist and Associate Professor of Violin at Miami University
FL
USA; Julia Guichard is a Certified Teacher of the Alexander Technique and Associate Professor and Chair of Theatre at Miami University in Oxford
OH
USA. 7. Alexander Technique Interventions for Stage Fright: An Interview with Michael Frederick
Founding Director of the International Congresses on the Alexander Technique and Teacher of the Alexander Technique at the Alexander Technique Institute in Los Angeles
USA and Elaine Williams is an Acting Teacher
Coach and Actress
and Senior Teacher at the Joanne Baron/D.W. Brown Studio in Santa Monica
CA
USA. 8. Mindful Bananas and The Alexander Technique. Kathleen Juhl
Alexander Technique Private Practice in Austin
TX
USA. 9. Glimpsing the Collaboratives. Cathy Madden
Editor. 10. Report on a Five-Day Introductory Class for the University of Washington School of Drama. Cathy Madden
Editor. 11. Metaphorically Speaking: The Singer and the Alexander Technique. Patricia O'Neill
Professor of Voice Emerita at Louisiana State University. 12. Of Testing Times and Hoped-For Miracles: The Alexander Technique and the Doubtful Musician. Robert Schubert
Lecturer in Woodwinds and the Alexander Technique at the Victorian College of the Arts and the Melbourne Conservatorium of Music. 13. Is This Dance Made of Cake? An Exploration of the Alexander Technique in Choreographic Process. Crispin Spaeth
Dancer
Choreographer
Producer
Seattle
WA
USA.
ATI Certified Teacher of the Alexander Technique at The Boston Conservatory
MA
USA. 2. Full Embodiment: The Actor's Way. Sarah Barker
Alexander Technique Teacher and Associate Professor of Acting at The University of South Carolina
USA. 3. Confident Creativity. Corinne Cassini
AmSAT
ATI and Alexander Technique Teacher at Appalachian State University
Boone NC
and Angers
France. 4. Engaging the Expert Performer: Affinity as Pathway. Kate Conklin
Soprano
Teacher of the Alexander Technique and Fulbright Scholar. 5. A Mirror
a Mask and an Actor. Julianne Eveleigh
MA in Alexander Technique and Voice
Lecturer in Voice at the Arts Academy at Federation University
Australia; Paul Hampton
Actor
Director and Lecturer in Acting at Federation University
Australia. 6. To Learn or to Un-learn - That is the Question: Collegiate Performers and Endgaining. Harvey Thurmer
Violinist and Associate Professor of Violin at Miami University
FL
USA; Julia Guichard is a Certified Teacher of the Alexander Technique and Associate Professor and Chair of Theatre at Miami University in Oxford
OH
USA. 7. Alexander Technique Interventions for Stage Fright: An Interview with Michael Frederick
Founding Director of the International Congresses on the Alexander Technique and Teacher of the Alexander Technique at the Alexander Technique Institute in Los Angeles
USA and Elaine Williams is an Acting Teacher
Coach and Actress
and Senior Teacher at the Joanne Baron/D.W. Brown Studio in Santa Monica
CA
USA. 8. Mindful Bananas and The Alexander Technique. Kathleen Juhl
Alexander Technique Private Practice in Austin
TX
USA. 9. Glimpsing the Collaboratives. Cathy Madden
Editor. 10. Report on a Five-Day Introductory Class for the University of Washington School of Drama. Cathy Madden
Editor. 11. Metaphorically Speaking: The Singer and the Alexander Technique. Patricia O'Neill
Professor of Voice Emerita at Louisiana State University. 12. Of Testing Times and Hoped-For Miracles: The Alexander Technique and the Doubtful Musician. Robert Schubert
Lecturer in Woodwinds and the Alexander Technique at the Victorian College of the Arts and the Melbourne Conservatorium of Music. 13. Is This Dance Made of Cake? An Exploration of the Alexander Technique in Choreographic Process. Crispin Spaeth
Dancer
Choreographer
Producer
Seattle
WA
USA.