Devi Prasad's aesthetic, political and social ideals were formed in close contact with Tagore and Gandhi in the 1940s, at a critical point of the independence movement. His passion for social justice, together with his extraordinary life as an artist-craftsman, shape these essays on Gandhi and social change.
Devi Prasad's aesthetic, political and social ideals were formed in close contact with Tagore and Gandhi in the 1940s, at a critical point of the independence movement. His passion for social justice, together with his extraordinary life as an artist-craftsman, shape these essays on Gandhi and social change.
Devi Prasad, artist and activist, was editor of Nayee Talim, and was closely involved with developing the art school at Gandhi's Sevagram. He ran his own pottery studio in Delhi from 1983 to 2003.
Inhaltsangabe
Foreword. Preface and Acknowledgements 1. Non-violence and satyagraha 2. Redefining the concept of freedom 3. Gandhi's educational revolution 4. Lenin and Gandhi: Contemporary revolutionaries 5. Violent struggles for freedom 6. Self-suffering and service for effective satyagraha 7. Struggle of the minorities 8. Why non-violence? 9. Gandhi: A historical necessity 10. True education is education for satyagraha 11. Satyagraha: The art of defying oppression without becoming oppressors 12. Do we have the will and courage to knock at Gandhi's door? Bibliography. About the Author. Index
Foreword. Preface and Acknowledgements 1. Non-violence and satyagraha 2. Redefining the concept of freedom 3. Gandhi's educational revolution 4. Lenin and Gandhi: Contemporary revolutionaries 5. Violent struggles for freedom 6. Self-suffering and service for effective satyagraha 7. Struggle of the minorities 8. Why non-violence? 9. Gandhi: A historical necessity 10. True education is education for satyagraha 11. Satyagraha: The art of defying oppression without becoming oppressors 12. Do we have the will and courage to knock at Gandhi's door? Bibliography. About the Author. Index
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