Spinning was seen as both an economic and political activity that could bring together the diverse population of South Asia. This book looks at the politics of spinning both as a visual symbol and as a symbolic practice. It traces the genealogy of spinning from its early colonial manifestations in Company painting to its reinterpretation, deployment and manipulation by the anti-colonial movement.
Spinning was seen as both an economic and political activity that could bring together the diverse population of South Asia. This book looks at the politics of spinning both as a visual symbol and as a symbolic practice. It traces the genealogy of spinning from its early colonial manifestations in Company painting to its reinterpretation, deployment and manipulation by the anti-colonial movement.
Rebecca M. Brown is visiting Associate Professor in Political Science and the History of Art at Johns Hopkins University, US, researching colonial and post-independence in South Asia. Her publications include Art for a Modern India, 1947-1980 (2009) and Asian Art (co-edited with Deborah S. Hutton, 2006).
Inhaltsangabe
Introduction - Spinning, Anticolonial Nationalism, and the Visual 1. Action and Identity: Colonial Representations of Spinning 2. Capturing the Wheel in Motion: Photography and Spinning 3. Discovering Spinning: Towards Gandhi's Visual Rhetoric 4. Gender and the Modern Charkha 5. National Symbols: Gandhi and the Spinning Wheel
Introduction - Spinning, Anticolonial Nationalism, and the Visual 1. Action and Identity: Colonial Representations of Spinning 2. Capturing the Wheel in Motion: Photography and Spinning 3. Discovering Spinning: Towards Gandhi's Visual Rhetoric 4. Gender and the Modern Charkha 5. National Symbols: Gandhi and the Spinning Wheel
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